ON DECLINE, ON THE ORIGIN, DANTE’S INDIANA, MUSIC LATE AND SOON, and THINGS ARE AGAINST US: Podcasts & Publicity!

On Decline coverIN THE NEWS!

ON DECLINE

Andrew Potter, author of On Decline (August 17, 2021) was interviewed for Jodi Butts podcast, @Risk, and the episode is now live! You can listen here.

On Decline was also the subject of an opinion piece in the Ottawa Citizen by Terry Glavin titled, “Glavin: Yes, civilization is in decline (though it may not stay that way)”! The article was published online on September 22. You can read it here.

Glavin writes,

“Like its historic ancestors, On Decline deserves a wide general audience and should be required reading for the incoming federal government.”

Get your copy of On Decline here!

 

THINGS ARE AGAINST US

Lucy Ellmann’s Things Are Against Us (September 28, 2021) was listed by the New York Times as a New & Noteworthy Title! The list was published online on September 22, and in print on September 26. You can check it out on their website here.

The New York Times wrote:

“Ellmann tackles the climate crisis, war and feminism in this collection of 14 searing essays on the beauty industry, ecotourism, crime fiction, Donald Trump and more.”

Things Are Against Us also received a rave review in the Winnipeg Free Press! The review was published on Saturday, September 25. You can read it out on their website here.

Reviewer Pauline Holdstock wrote:

“[Ellmann] lambastes the patriarchy with verve and gusto … The 14 pieces that comprise Ellmann’s discontents, vividly illustrated by Diana Hope, muster all of her comic powers in the service of her home truths… Ellmann is entertaining, funny, loopy and brave, but, importantly, she’s empowering. You remember that you’re not alone … It’s good to know Ellmann is keeping her formidable comic weaponry trained on the people who got us into this pig show.”

And on Sunday, September 26 we celebrated the launch of Things Are Against Us! Check out the full video of the launch on Facebook here, or on YouTube here.

Order your copy of Things Are Against Us here!

 

MUSIC, LATE AND SOONcover

Robyn Sarah, author of Music, Late and Soon (August 24, 2021) published an editorial in The Globe and Mail titled, “We should need no excuse to hold on to or reclaim something we love”! The piece was published online on September 24, and in print on September 25. Read the article here.

Sarah writes,

“… a longing to go back to what was once so central and fulfilling can haunt the years. In my own case, longing became impulse became action at the age of nearly 60.”

Robyn Sarah’s Music, Late and Soon was also featured in a review by the Winnipeg Free Press! The review was posted online on September 25. You can read it here.

Get your copy of Music, Late and Soon here!

 

DANTE’S INDIANA

Randy Boyagoda, author of Dante’s Indiana (September 7, 2021), wrote an article for the Globe & Mail! The opinion piece “Dante’s pandemic: Why the Divine Comedy helps us understand how we can respond to the challenge of living good lives in bad times” was published on Saturday, September 25, both in print and online. You can read it on their website here.

In other news, University of Toronto’s Massey College is hosting an exclusive in-person event with Randy Boyagoda on Wednesday, September 29 at 4:30 PM EDT! The event, “A Dante Theme Park? Satire and Sensibilities in 2021”, is part of the Massey Dialogues series. Randy Boyagoda, a Massey College Senior Fellow, will discuss his Dante’s Indiana with Senior Fellow Charles Foran and Junior Fellow Kate Frank. Only a limited number of people can attend, so register for a ticket here.

Get your copy of Dante’s Indiana here!

 

ON THE ORIGIN OF THE DEADLIEST PANDEMIC IN 100 YEARSOn the Origin of the Deadliest Pandemic in 100 Years cover

Elaine Dewar, author of On the Origin of the Deadliest Pandemic in 100 Years (August 31, 2021), was interviewed by Jesse Brown for the Canadaland podcast! The episode aired today on September 27. You can read the transcription and listen here.

Over the weekend, Dewar was also live on The Roy Green Show (Global News). Listen to the episode here.

On the Origin was also mentioned in an article from The Sun titled “OVEN READY Covid was ‘perfectly adapted’ to infect humans when virus emerged in Wuhan which ‘proves’ lab leak, book claims”. Read the article here.

Get your copy of On the Origin here!

THINGS ARE AGAINST US Launch Video

We had a wonderful time celebrating the virtual book launch of Lucy Ellmann’s essay collection this past Sunday, September 26. Lucy Ellmann had an engaging conversation with Todd McEwen and Diana Hope, and the event was hosted by Josh Cook. After the reading and discussions, there was an audience Q&A, and a successful book giveaway.

And if you couldn’t make the live event, don’t worry! You can still watch it below.

Get your copy of Things Are Against Us here!

Praise for Biblioasis Titles

IN THE NEWS!

ON THE ORIGIN

Elaine Dewar, author of On the Origin of the Deadliest Pandemic in 100 Years: An Investigation (August 31, 2021), published an editorial in the Toronto Star titled “Canadians must know what our lab’s role was in COVID’s origins”! The article was published online on September 18. You can read it here.

On the Origin was also listed in the Globe and Mail‘s “Fall 2021 books preview: Pump up your autumn with these weighty reads”. See the full list here.

And on Friday, September 17, Elaine Dewar was live on CJAD 800 AM – Montreal Now with Aaron Rand and Natasha Hall. You can listen to her radio interview here.

Get your copy of On the Origin from Biblioasis here!

 

THINGS ARE AGAINST US

Lucy Ellmann’s Things Are Against Us (September 28, 2021) received a great review in Publishers Weekly! The review was published online on September 20. You can read it on their website here.

Publishers Weekly wrote:

“In this offbeat essay collection, novelist Ellmann (Ducks, Newburyport) addresses complex systemic ills alongside petty grievances in an acerbic and hilarious litany of complaints … Readers of Ducks, Newburyport will be familiar with her expansive writing style, which here manifests as a plethora of footnotes … Fans of feminist satire will delight in these rants and ruminations.”

Things Are Against Us was also included in the Globe and Mail‘s Fall 2021 book preview! The list was published on Saturday, September 18, both in print and online. You can read it on their website here.

Reviewer Emily Donaldson wrote:

“‘Let’s complain,’ urges the author of the prize-winning experimental novel Ducks, Newburyport at the outset of her first work of non-fiction, then valiantly leads the way. Over 14 entries that use approaches ranging from all-caps to page-swallowing footnotes, she takes on Trumpism, the beauty industry, patriarchy and crime writers, with charming tetchiness.”

Order your copy of Things Are Against Us here!

 

DANTE’S INDIANA

Randy Boyagoda’s Dante’s Indiana (September 7, 2021) was included in Globe and Mail‘s Fall 2021 book preview! The list was published on Saturday, September 18, both in print and online. You can read it on their website here.

Reviewer Emily Donaldson praised Dante’s Indiana as,

“Witty and wrenching.”

Randy Boyagoda was interviewed about Dante’s Indiana in the Catholic Register. The interview was published yesterday on September 19. You can read it on their website here.

Wendy-Anne Clarke wrote,

“Randy Boyagoda takes a bold dive into some of society’s most contentious issues in his latest novel, Dante’s Indiana … The theme of being lost and also being found is at the crux of Prin’s experience and that of the other characters. That profound idea found in Catholic liturgy and in Scripture is central to the religious tradition at play in this book.”

Randy Boyagoda was also interviewed by the University of Toronto’s A&S Newsletter. The interview was published September 15. You can read the interview on their website here.

Get your copy of Dante’s Indiana here!

 

ON DECLINEOn Decline cover

Andrew Potter’s On Decline (August 17, 2021) received a great review in the Winnipeg Free Press, titled “Extremism, stagnation hastening our potential downfall”! The article was published online on September 18. You can read it here.

Michael Dudley writes,

“Like its historic ancestors, On Decline deserves a wide general audience and should be required reading for the incoming federal government.”

Get your copy of On Decline here!

THE LAST GOLDFISH a finalist for the OTTAWA BOOK AWARDS

We’re thrilled to share that on September 15, it was announced that Anita Lahey is a finalist for the Ottawa Book Awards for her memoir The Last Goldfish: A True Tale of Friendship! Learn more about the Ottawa Book Awards here.

The Ottawa Book Awards recognize the top English and French books published in the past year by 19 local authors—exemplifying Ottawa’s rich literary talent.

The other finalists for the English Non-Fiction award include Tim Cook’s The Fight for History: 75 Years of Forgetting, Remembering, and Remaking Canada’s Second World War (Penguin Random House), Suzanne Evans’ The Taste of Longing: Ethel Mulvany and her Starving Prisoners of War Cookbook (Between the Lines), Séan McCann and Andrea Aragon’s One Good Reason: A Memoir of Addiction and Recovery, Music and Love (Nimbus Publishing), and Brodie Ramin’s The Age of Fentanyl: Ending the Opioid Epidemic (Dundurn Press). Last year’s winner for the 2020 English Non-Fiction award was Beverly McLachlin’s Truth be Told: My Journey Through Life and the Law.

The winners of each category will be announced at the awards ceremony, which will take place virtually on Wednesday, October 20 at 6PM EDT. Each winner will receive $7,500, while finalists will each receive $1,000. To receive a link to the invitation for the event, please write to infoculture@ottawa.ca.

ABOUT THE LAST GOLDFISH

Twenty-five years ago and counting, Louisa, my true, essential, always-there-for-everything friend, died. We were 22.

When Anita Lahey opens her binder in grade nine French and gasps over an unsigned form, the girl with the burst of red hair in front of her whispers, Forge it! Thus begins an intense, joyful friendship, one of those powerful bonds forged in youth that shapes a person’s identity and changes the course of a life.

Anita and Louisa navigate the wilds of 1980s suburban adolescence against the backdrop of dramatic world events such as the fall of the Berlin Wall. They make carpe diem their manifesto and hatch ambitious plans. But when Louisa’s life takes a shocking turn, into hospital wards, medical tests, and treatments, a new possibility confronts them, one that alters, with devastating finality, the prospect of the future for them both.

Equal parts humorous and heartbreaking, The Last Goldfish is a poignant memoir of youth, friendship, and the impermanence of life.

ABOUT ANITA LAHEY

Anita Lahey’s books include The Mystery Shopping Cart: Essays on Poetry and Culture and two Véhicule Press poetry collections: Spinning Side Kick and Out to Dry in Cape Breton. Anita is an award-winning magazine journalist, past editor of Arc Poetry Magazine, and serves as series editor of the annual anthology, Best Canadian Poetry. A former resident of Toronto, Montreal, Fredericton and Victoria, she maintains fierce familial ties to Cape Breton Island and lives in Ottawa with her family. She grew up in Burlington, Ontario, in a house with a huge backyard a short bike ride from Lake Ontario.

 

Order your copy today here!

On the Origin Launch Video

Last night we celebrated the virtual launch of Elaine Dewar’s On the Origin of the Deadliest Pandemic in 100 Years! Elaine Dewar had a fascinating discussion with Wayne Grady, Canadian writer, editor, and translator. Afterward, there was an audience Q&A and giveaway of a copy of On the Origin of the Deadliest Pandemic in 100 Years!

And if you weren’t able to join last night, don’t worry! You can still watch the event here:

ABOUT ON THE ORIGIN OF THE DEADLIEST PANDEMIC IN 100 YEARS

In this compelling whodunnit, Elaine Dewar reads the science, follows the money, and connects the geopolitical interests to the spin.

When the first TV newscast described a SARS-like flu affecting a distant Chinese metropolis, investigative journalist Elaine Dewar started asking questions: Was SARS-CoV-2 something that came from nature, as leading scientists insisted, or did it come from a lab, and what role might controversial experiments have played in its development? Why was Wuhan the pandemic’s ground zero—and why, on the other side of the Atlantic, had two researchers been marched out of a lab in Winnipeg by the RCMP? Why were governments so slow to respond to the emerging pandemic, and why, now, is the government of China refusing to cooperate with the World Health Organization? And who, or what, is DRASTIC?

Locked down in Toronto with the world at a standstill, Dewar pored over newspapers and magazines, preprints and peer-reviewed journals, email chains and blacked-out responses to access to information requests; she conducted Zoom interviews and called telephone numbers until someone answered as she hunted down the truth of the virus’s origin. In this compelling whodunnit, she reads the science, follows the money, connects the geopolitical interests to the spin—and shows how leading science journals got it wrong, leaving it to interested citizens and junior scientists to pull out the truth.

ABOUT ELAINE DEWAR

Elaine Dewar—author, journalist, television story editor—has been honoured by nine National Magazine awards, including the prestigious President’s Medal, and the White Award. Her first book, Cloak of Green, delved into the dark side of environmental politics and became an underground classic. Bones: Discovering the First Americans, an investigation of the science and politics regarding the peopling of the Americas, was a national bestseller and earned a special commendation from the Canadian Archaeological Association. The Second Tree: of Clones, Chimeras, and Quests for Immortality, won Canada’s premier literary non-fiction prize from the Writers’ Trust. Called “Canada’s Rachel Carson,” Dewar aspires to be a happy warrior for the public good.

 

Order your copy from Biblioasis here!

This Week in Reviews!

On the Origin of the Deadliest Pandemic in 100 Years coverIN THE NEWS!

ON THE ORIGIN

Elaine Dewar, author of On the Origin of the Deadliest Pandemic in 100 Years: An Investigation (August 31, 2021), was featured in a Q&A with Marsha Lederman in The Globe and Mail, titled “Canadian author Elaine Dewar’s book raises troubling questions about the origins of COVID-19”! The article was published online on September 10. You can read it here.

In the interview, Elaine Dewar states:

“I want to get at how come that happened. And I don’t want people to forget it. Because we have [27,000] dead people whose deaths might have been avoided if we had acted with speed. And if we had acted from a science point of view, as opposed to from a political point of view.”

And don’t miss the launch of On the Origin of the Deadliest Pandemic in 100 Years next week! Join us on Facebook Live or YouTube on Wednesday, September 15 at 6PM EDT!

Get your copy of On the Origin here!

DANTE’S INDIANA

Quite a bit of news for this title! Randy Boyagoda’s Dante’s Indiana (September 7, 2021) received a positive review in the Toronto Star! The review was published online on September 3, and it will appeared in their print issue that weekend. You can read it on their website here.

Reviewer Alex Good wrote,

“Boyagoda set himself a challenge, and it’s one that he’s up to … Boyagoda makes it seem easy with a series of apt similes … This is the sort of imaginative verbal panache that in our own vernacular pays tribute to Dante as literary guide … The classics, however, are always reimagined in ways that respond to the personal anxieties and public crises of our own time. In the shattered funhouse of the twenty-first century we may be expected to redefine the content of a faith that sustains.”

Dante’s Indiana also received a rave review in the Plough Quarterly! The review was published online on September 3. It will appear in their print issue as well. You can read it on their website here.

Reviewer Mike St. Thomas wrote,

“Randy Boyagoda’s Dante’s Indiana is many things—knee-slapping satire, social commentary, spiritual pilgrimage. But above all, it is an attempt to bring contrapasso to bear on contemporary American life, both implicitly and explicitly … As in his first novel, Boyagoda mixes the sacred and profane to great effect … By locating the sacred within the profane, Dante’s Indiana offers a counternarrative to that of the culture wars … Boyagoda’s novel is hilarious and deeply touching.”

Dante’s Indiana received a great review in Desi News, and it was the feature title! The review was published on September 1. It’s available online and in their print September issue. You can read it on their website here.

Desi News wrote,

Dante’s Indiana is, like the first book, about Prin’s adventures in a world that is crazy and chaotic for a man of faith. And it is, also like the first, real, yet surreal. Hugely funny, yet poignant … Many of us will find our stories reflected in Boyagoda’s work, we’ll meet people we know.”

Dante’s Indiana also received a rave review in North Texas Catholic. The review was published on September 8. You can read it on their website here.

Reviewer Susan Moses raved,

“Full of memorable characters and as fast-paced as the roller coaster that will be the main ride of hell, the novel reads like a movie script … Even when the plot descends into dark topics, Boyagoda’s eye for wit keeps the novel lighthearted … Sometimes absurd, sometimes witty, the humor of Dante’s Indiana is always thoughtful, never hurtful, and often satirical … As Prin makes his path through the twists and turns of this novel, he never gives up hope that heaven awaits on the other side of purgatory.”

Finally, Dante’s Indiana was included in NOW Toronto‘s list “The 15 best new books to read this fall”! The list was published online on September 10, and it will appear in their print issue. You can read it on their website here.

Reviewer Susan G. Cole praised,

“Another sharp satire from one of Canada’s best writers.”

Get your copy of Dante’s Indiana here!

White Shadow coverWHITE SHADOW

Roy Jacobsen’s White Shadow (April 6, 2021) received a great review in Book Post USA! The review was published on September 7. You can read the review on their website here.

Reviewer Robert Karron wrote:

“Seldom do we find a protagonist who pushes against her confinement as subtlety and deftly as Ingrid does, and who allows herself, while trapped in circumstances that are beyond her control, to be so open, inquisitive, and even loving. In White Shadow, Jacobsen offers a portrait of a woman who is single-minded but not rigidly so, purposeful but not devoid of feeling … The intensity of feeling just beyond the actions described, and the effort itself of forging language to capture their evanescent reality, seems like a literary accomplishment in the family of more overtly ‘sophisticated’ novelists like Thomas Bernhard or W. G. Sebald.”

Get your copy of White Shadow here!

HOUSEHOLDERS

On Friday, September 3, Kate Cayley’s Householders (September 14, 2021) received a rave review from Kerry Clare’s Pickle Me This! You can read the review on the website here.

Kerry Clare wrote,

“Literally took my breath away … Kate Cayley is splendid in her deft arrangement of the sentence, and in her depiction of the quotidian but just askew enough to be new and surprising. These stories are rich, absorbing, and oh so satisfying, and I predict this as one of the big books of the fall literary season.”

Get your copy of Householders here!

THE SINGING FOREST

Judith McCormack’s The Singing Forest (September 21, 2021) received a great review in the Ottawa Review of Books! The review was published on September 9. You can read the review on their website here.

Reviewer John Delacourt wrote:

“Yet there is nothing bleak or drained of life in The Singing Forest, despite such harrowing scenes. The energy of the prose does not falter, transcending the expectations—if not the limitations—of a crime drama. The interiority of Leah Jarvis’s transformation in the narrative lacks some of the tonal variation and visceral impact of the chapters devoted to Drozd, but she ultimately achieves a balance of darkness and light that, aptly enough, rhymes with something like justice. Which is fitting, because the scope of McCormack’s ambition is nothing less than a poetic meditation on the mutability of identity, and with The Singing Forest, she succeeds.”

Get your copy of The Singing Forest here!

Biblioasis News, Reviews, and Excerpts!

IN THE NEWS!

ON THE ORIGIN OF THE DEADLIEST PANDEMIC IN 100 YEARS

Elaine Dewar, author of On the Origin of the Deadliest Pandemic in 100 Years: An Investigation (August 31, 2021), was featured in an article on CBC Manitoba titled “New book debunks Winnipeg-lab conspiracy theory but questions collaboration with Chinese military scientist”! The article was published online on August 31. You can read it here.

Elaine Dewar also appeared on CHCH Morning Live for an interview about her book On the Origin of the Deadliest Pandemic in 100 Years. The interview with Annette Hamm aired on September 2. You can watch it on their website here.

Get your copy from Biblioasis here!

 

HOUSEHOLDERSHouseholders cover

On August 25, Quill & Quire published their Best of Fall 2021 Guide for Fiction, Short Fiction, and Poetry, and Kate Cayley’s Householders (September 14, 2021) was on the list!

Andrew Woodrow-Butcher wrote about Householders:

“The accomplished fiction writer, playwright, and poet veers from the fantastic to the mundane and back again in her latest collection of intertwined stories, which features neighbourhood drama, zombies, and an underground bunker.”

The Best of Fall 2021 Guide will be published in the September 2021 issue, and can be read on their website here.

Householders (September 14, 2021) was also included by the Lambda Literary on their list “September’s Most Anticipated LGBTQIA+ Literature”! The list was put together by Sydney Heidenberg on September 1, and it can be read on the Lambda Literary website here.

Order your copy from Biblioasis here!

 

On Decline cover

ON DECLINE

Andrew Potter, author of On Decline (August 17, 2021), published an article in The Globe and Mail titled “The COVID-19 pandemic. Climate change. Culture wars. For the West, the party is over”! The article was published online on August 20. You can read it here.

An excerpt was also published in The Walrus on August 25. You can read the excerpt here.

Get your copy from Biblioasis here!

A GHOST IN THE THROAT wins the JAMES TAIT BLACK BIOGRAPHY PRIZE

A Ghost in the Throat coverWe’re thrilled to share that on August 25, 2021, it was announced that Doireann Ní Ghríofa won the James Tait Black Biography Prize for her book A Ghost in the Throat!

Biography Judge Dr Simon Cooke, of the University of Edinburgh, called A Ghost in the Throat,

“A work of great and searching depth and generosity, as involving as it is luminous, that weaves poetry, memoir, biography and translation into a powerful celebration of female texts and a profound exploration of the way the voice and life of one poet echoes in the life and voice of another.”

The James Tait Black Prizes for Biography and Fiction are the UK’s longest-running literary awards. The winners are awarded £10,000. Doireann Ní Ghríofa won the Biography Prize while Shola von Reinhold won the Fiction Prize for their novel Lote (Jacaranda).

Doireann Ní Ghríofa’s book was chosen from a biography shortlist that featured The Warrior, the Voyager, and the Artist: Three Lives in an Age of Empire (Yale) by Kate Fullagar; Black Spartacus: The Epic Life of Toussaint Louverture (Allen Lane) by Sudhir Hazareesingh; and Recollections of My Non-Existence (Granta) by Rebecca Solnit.

The winners of the £10,000 prizes were announced by author and broadcaster Sally Magnusson at a pre-recorded event at the Edinburgh International Book Festival. Learn about the James Tait Black Prizes here.

 

ABOUT A GHOST IN THE THROAT

When we first met, I was a child, and she had been dead for centuries.

On discovering her murdered husband’s body, an eighteenth-century Irish noblewoman drinks handfuls of his blood and composes an extraordinary lament. Eibhlín Dubh Ní Chonaill’s poem travels through the centuries, finding its way to a new mother who has narrowly avoided her own fatal tragedy. When she realizes that the literature dedicated to the poem reduces Eibhlín Dubh’s life to flimsy sketches, she wants more: the details of the poet’s girlhood and old age; her unique rages, joys, sorrows, and desires; the shape of her days and site of her final place of rest. What follows is an adventure in which Doireann Ní Ghríofa sets out to discover Eibhlín Dubh’s erased life—and in doing so, discovers her own.

Moving fluidly between past and present, quest and elegy, poetry and those who make it, A Ghost in the Throat is a shapeshifting book: a record of literary obsession; a narrative about the erasure of a people, of a language, of women; a meditation on motherhood and on translation; and an unforgettable story about finding your voice by freeing another’s.

ABOUT DOIREANN NÍ GHRÍOFA

Doireann Ní Ghríofa is author of six critically-acclaimed books of poetry, whose awards include the Rooney Prize for Irish Literature and a Seamus Heaney Fellowship (Queen’s University). Her debut book of prose is the bestselling A Ghost in the Throat, which finds the 18th-century poet Eibhlín Dubh Ní Chonaill haunting the life of a contemporary young mother, prompting her to turn detective, and of which the Sunday Times writes: “Sumptuous, almost symphonic, in its intensity … As readers, we should be grateful for her boldness. Without it, we would not have had one of the best books of this dreadful year.”

 

Check out A Ghost in the Throat at Biblioasis here!

 

THE SINGING FOREST and AS YOU WERE: Rave Reviews!

IN THE NEWS!

THE SINGING FOREST

Judith McCormack’s The Singing Forest (September 21, 2021) received a great review in Quill & Quire! The review was published online on Tuesday, August 17, 2021, and it will appear in the print September issue. You can read it on their website here.

Reviewer Ami Sands Brodoff wrote:

“A brilliant stroke … McCormack’s scope is impressive. The Singing Forest is a crime drama, a historical novel, and a character-driven work … This novel posits that time does not heal all wounds. Recognition, reparation, and remembrance are urgent.”

Get your copy of The Singing Forest today from Biblioasis here!

 

AS YOU WERE

Elaine Feeney’s As You Were (October 5, 2021) received a starred review in Publishers Weekly! The review was published online on August 16, 2021, and it will appear in the print issue. You can read it on their website here.

Publishers Weekly wrote:

“Feeney’s brilliant debut follows an Irish woman’s struggle to accept a terminal cancer diagnosis … Feeney skillfully tells the stories of other patients, including Margaret Rose, recovering from a stroke, and Jane, suffering from dementia. In the closed space of the ward, these three women share their secrets … Never sentimental, and full of well-crafted dialogue and rich descriptions, the story is driven forward by Sinead’s strong narration. This powerful work perfectly balances tragedy and hope.”

Preorder your copy of As You Were from Biblioasis here!

A Biblioasis Interview with Elaine Dewar

Elaine Dewar’s On the Origin of the Deadliest Pandemic in 100 Years is not what readers have come to expect from Biblioasis. But it seems to us one of the most important works we’ve been part of at the press. As Phil Marchand pointed out with her last book, Dewar “is justly well-known for her relentless research and we’re fortunate to have her,” and this relentless research is on full display with On the Origin.

What she uncovers is a scientific world of little oversight, questionable motives, greed, deception, and political malfeasance, one open to manipulation and sabotage by outside forces, all of it with deep implications for how we move forward, not just with the COVID-19 pandemic itself but with the systems and structures that allowed for it, and which, if they are not reformed, may result in the same thing happening again. Dewar has uncovered facts about this case and made connections that have not yet been made public, in either our national newspapers or parliamentary debates. Its implications are explosive. She has provided language for what we are all experiencing, and in total this book should be read as a wake-up call to all of us, to demand more accountability and transparency from all, but especially those in positions of power.

Q1: Your new book On the Origin of the Deadliest Pandemic in 100 Years tackles one of the most troubling and controversial subjects of our age. To start, can you tell us a little bit about the book’s origin?

A1: I started clipping bits and pieces about the pandemic in January of 2020 because the coverage I was reading so reminded me of SARS, up to and including the false assurances from Canadian authorities that Canadians had nothing to fear, that the risk to Canadians was “low.” I was struck by how in those early stories the numbers kept doubling; the sure mark of easy person-to-person transmission of an infectious disease, and clearly a bad disease because the Wuhan hospitals were apparently very crowded. And China’s authorities were playing that down. By the end of January, Canada already had its first cases, yet the federal government kept saying nothing to worry about, we have no direct flights to Wuhan, as if that meant anything. It was obvious there was a great deal to worry about. China had locked down a city of 11 million and was frantically erecting enormous field hospitals. They clearly expected an unprecedented disaster. By then I had already started reading whatever I could find on the pandemic and noticed a story about two researchers in Wuhan who published what is called a preprint claiming that the virus might have leaked from one of two labs in Wuhan that study coronaviruses sampled from bats in the field, and that the researchers don’t take proper precautions. At about that time, someone asked the Minister of Health at a press conference about the possibility that the virus had leaked from a lab in China. She snapped the reporter’s head off and accused him of asking a racist question. By then I had been following the story of the collapse of Canada’s relations with China for some time, and the two stories sort of snapped together in my head. By the time Dan Wells got in touch in May and asked me to do a quick book for a new series he was launching, suggesting something on pandemic profiteers, I was already hooked on the origin story. Where did it come from? Lab or nature? How could I find out with the borders shut and Canada in lockdown?

Q2: Well, how could you find out? And what did you find? How did the research and writing of this book differ from those which preceded it?

A2: How to find out was the big problem. I don’t work for a newspaper: I could not argue that I needed to cross borders to do interviews. And I couldn’t get to people anyway because labs were closed, government offices were shut down with most bureaucrats working from home. So I was reminded of I.F. Stone, the great American journalist who published a weekly out of Washington D.C. He found his most explosive stories by reading published documents and making Freedom of Information applications for documents that were not public. I thought given this was a story about the science of virology, I should start by reading the publications in peer-reviewed journals about the origin of a virus that clearly seemed to have adapted immediately to human beings. And so that’s what I did. And what I found in peer-reviewed journals and in papers published by the scientists at the heart of the story led me into the story of a science that has gone global since SARS with very few regulations and a whole lot of pandemic potential danger attached to it. The more I read, the more the lab leak thesis seemed possible, not the deranged maunderings of racists and tinfoil-hatted conspiracy theorists as they were by then being described by scientists who were organizing all kinds of publications to knock that theory down. At which point the story expanded from reading the science to following the undeclared interests…

Q3: Yes, undeclared interests. That could have been the title of the book, and it’s one of the main things, I think, that On the Origin untangles. By the end of it I was wondering how we could trust anyone on anything remotely touching on the pandemic. There are too many to list for this interview, but is there any undeclared interest you would like to highlight here?

A3: I think the undeclared interests I found that upset me most, angered me most, were those connected with an article that appeared in the most highly rated science peer-reviewed journal Nature, which purported to show that the genome of SARS-CoV-2 could not have been the result of laboratory manipulation. There were five authors on that peer reviewed paper. The only one who declared a competing interest was an expert from Tulane University who declared he had interests related to a company he’s involved in. Three others on that paper all had serious interest in staying on the good side of China, who used this paper like a shield for the next year to say “You see, serious scientists say it couldn’t have been made in a lab.” Kristian Andersen, the lead author who is at the Scripps, which was in such financial trouble that it entered a relationship with a Chinese entity to keep it out of trouble, also had an application into the NIAID, a grant he later won. The NIAID had funded work done at one of the labs thought to be a possible source of a lab leak in Wuhan, Shi Zhengli’s lab at the Wuhan Institute of Virology. And that funding was aimed at the kinds of gain-of-function experiments which had caused fear and concern to critics for years. Another author on that paper, Ian W. Lipkin at Columbia, worked out of an institution that had been paid large sums of money from USAID through a charity called EcoHealth Alliance, which funded one of the labs in Wuhan. He had been honoured by China and has an honorary position there. Nothing was said about his competing interest. The third is E.C. Holmes, whose work is mainly done in China though he has a position at the University of Sydney and also at Fudan University in Shanghai. He had helped his Fudan colleague put up the genome sequence of the virus on a blog run out of Edinburgh because China’s officials were holding off its publication. This article was written shortly after both Holmes and Andersen called Anthony Fauci, head of the NIAID, on January 31, 2020, after Science ran a story in which one expert said a lab leak was a possibility. They told Fauci that their investigation of the genome revealed that a small portion of it might have been engineered in a lab. Holmes did not reveal in the Nature paper that he had done a number of papers with the lead bat /coronavirus researcher in Wuhan who works at the other lab suspected of being the source of the leak, the Wuhan CDC. The very next day, Andersen and Holmes were part of an emergency conference call organized by Fauci, Francis Collins of the NIH, Fauci’s boss, and several others in which this possibility was urgently discussed. Undoubtedly the difficult position of these funding agency directors was that they might be accused of funding the creation of SARS by funding one of those labs. Yet two days after that, Andersen was participating in crafting a letter to send to the White House accusing anyone who said a lab leak was a possible origin of the virus of being conspiracy theorists. He wanted to make the letter tougher than the man writing it, Peter Daszak. Daszak was also the author of a statement in Lancet yelling about a lab origin thesis as a conspiracy theory. Daszak did not declare a competing interest on that statement—specifically that his charity, EcoHealth Alliance, had been acting as a cutout for US funders like the National Science Foundation, the NIAID, and USAID, who all had funded Shi Zhengli’s work at the WIV’s lab. And we’re not talking about a little bit of money, we’re talking millions. Daszak went on to become chair of Lancet’s task force on the origin of the virus, again without declaring his interest in avoiding any investigation of a lab leak at the WIV, and also got himself appointed to the WHO-convened study of the origin of the virus. The WHO did not publish the competing interests of those foreign researchers who participated in that study and had them all sign confidentiality agreements so they couldn’t squeal on each other. The study’s phase one pointedly avoided any kind of investigation of the labs in Wuhan without doing any study on that question at all. It took months for various researchers to put these interests together.

Q4: There is a Canadian thread to your book, one which, though not directly connected to the origin of COVID, nevertheless sheds some light on the issue. Can you tell us a little bit about this?

A4: There was a theory in the early days of the pandemic that the virus might have been shipped from the National Microbiology Laboratory to the Wuhan Institute of Virology, the leading coronavirus study group in China. Back in 2019, two researchers had been taken out of the lab, their security clearances revoked: one of them had done papers on both SARS and on ACE2, one of the receptors for SARS-CoV-2 in humans. There was nothing to it: but it got me looking at what had gone on at the lab, about the two suspended researchers who came to Canada in the middle 90s when a whole group of researchers were sent from China to study in western labs, and what I discovered about their connections to China and the Wuhan Institute of Virology shed a lot of light on how biological science has become a globalized operation, and how China has placed its people in very important western institutions and then made use of them. It gave me the framework for the larger story of China’s long term plan to treat biology and biotechnology as a strategic high ground. The NML story took me to a bigger one.

Q5: And what was this bigger story?

A5: The larger story is about China’s long term plan to occupy the strategic high ground with regard to biology, and biotechnology, including apparently both the capacity to wage and defend against bio warfare. In pursuit of that strategy, which dates back to Deng Xiaoping’s time leading China, many very bright young aspiring scientists were sent to the West for their graduate studies. Many of them were high achievers who ended up on leading academic positions as well as in leading pharmaceuticals (like Sanofi in Canada) and also in the main high containment laboratories in the US (like Galveston) and in Canada at the National Microbiology Laboratory (Qiu and Cheng, etc.) Some of these people smuggled out important reagents, hid their connections to China’s military and transferred important data to China.

Q6: As you know, the Trudeau government faced a lot of pressure to release information about why Qiu and Cheng were fired from Winnipeg’s National Microbiology Laboratory, and that they went further than perhaps any government before them by suing the Speaker of the House to keep these documents from parliamentarians. This week, and in the middle of an election, as reported in the Globe and Mail, the government quietly withdrew its lawsuit. What is the significance of this? And why should Canadians care about who Qiu and Cheng are, and why they were fired?

A6: The timing of the election was in part to avoid having to produce the documents as per the June resolution of the House of Commons that the President of PHAC deliver unredacted versions of all emails and documents relating to the firing of Qiu and Cheng. The President, Iain Stewart, had claimed he could not provide unredacted documents due to the Privacy Act. The Canada-China committee brought forward a resolution in the minority Parliament which passed it demanding the unredacted documents. When the House voted in favour of the resolution, and PHAC and the Minister of Health still did not comply, the President was admonished at the bar of Parliament, which has not happened to a non-politician since 1910, the Speaker was about to decide whether to send the Sergeant at Arms to PHAC to get the documents when the House rose for the summer break. The Speaker decided to hold off sending the Sergeant at arms until the House resumed in September, but the government by then had decided to call the election. By going to the Governor General and asking for an election, the House was dissolved, the resolution became moot, and so the government withdrew its suit against the Speaker. It would have lost in the Federal Court. The Supreme Court has already ruled that Parliament is supreme, no court can stop it from getting information it asks for from the government of the day. The government was doing its best to cover up what had been going on at the National Microbiology Laboratory for years, which entailed what seem to be really outrageous breaches of national security, including experiments done by Qiu and Cheng along with a major general in the Peoples Liberation Army. If that woman, Chen Wei, did not have access to the NML labs, and I am pretty sure she did, she certainly had access to its data, which also requires a security clearance, long after Qiu and Cheng were suspended and their clearances retracted. Papers were published in 2020 that make that clear. Instead of being transparent about the mistakes made, over which the Minister of Health should have resigned, along with the Minister of Public Safety, the government chose to call an election to avoid the public knowing the exact nature of its amazing failure of oversight.

On the Origin of the Deadliest Pandemic in 100 Years coverQ7: This book is part of the Field Note pamphlet series, and was signed on as On Blame. But over the course of your research the focus of the book changed and expanded, and blame became a far lesser concern, if only because there was so much to go around. It’s about the origin of this specific pandemic, yes, but it is about much more than this, too, with ramifications for how we move forward. If there were one or two quick takeaways you would like your readers to have on finishing On the Origin of the Deadliest Pandemic in 100 Years, what would it/they be?

A7: The most important takeaway is that this book demonstrates the real danger is from arrogant and reckless globalized biological science which may have let loose the whirlwind. Globalized science is usually presented as a great boon, the best minds wherever they are working together for the good of humankind and the planet. What this book shows is what just about everyone who studies the practice of science knows: scientists are not sweet and selfless souls just following their curiosity. Like the rest of us, they must compete to achieve. For their work to continue and their prestige to grow, they must capture public resources. She who can do that best acquires power, which will in turn be used to defend those interests. In other words, research science is by definition intensely political, and when it is done across national boundaries by scientists from countries that are competitors, the merely political becomes geopolitical. China sees itself as a rising nation held back by the US. The US and Canada rightly see China as a strategic threat. The US in particular has been very careless about who and what it funded in China, apparently so it could keep a close eye on what China might be doing in the way of biological warfare research. But that meant work was done in China with American support that remained outside the regulatory purview of the US and in conditions that are not acceptable in the US. Canada, under intense economic pressure from China, clearly allowed our top containment lab, which used to do wonderful work, to be captured by China’s operatives acting in China’s interests, which do not coincide with our own. All governments and the scientists involved in this story have done what governments and people often do when they’ve screwed up. They covered up. And it’s up to us, the stakeholders as we are called, who have suffered and died from their mistakes, to hold them to account.

Available August 31 in Canada and September 14 in the USA. You can pre-order a copy here.