Dream Sequence and Late Breaking are published by Biblioasis, an independent literary press based in Windsor, Ontario. Since 2004, Biblioasis has published contemporary fiction, nonfiction, poetry, and literature in translation. Another Biblioasis book, Ducks, Newburyport by Lucy Ellmann, was shortlisted for the Booker Prize 2019 just this morning.
In a statement, publisher Dan Wells said, “Well: it’s been a busy morning indeed around the Bibliomanse. On the heels of Lucy Ellmann’s Booker shortlisting for Ducks, Newburyport comes two Giller nominations here in Canada: for Adam Fould’s Dream Sequence and K.D. Miller’s Late Breaking. And if we were euphoric after Ducks, we’re positively moon-walking now. We’re so happy for all three authors. And it’s certainly not a bad way to kick off our 15th Anniversary year.”
Miller said, “This is such an affirmation. Always, in the back of a writer’s mind are the questions, ‘Will anyone want to read this? Will anyone enjoy and be moved by it?’ Getting the news about being long-listed for the Giller Prize was like hearing an enormous ‘Yes!’ to all that. Thank you!”
Foulds said, “I am hugely honoured that Dream Sequence has been included on this longlist. It is a particular thrill as a new Canadian to receive this recognition from one of Canada’s most storied cultural institutions.”
ABOUT DREAM SEQUENCE
Henry Banks, star of the UK’s most popular television series, has higher aspirations, ones befitting of his talent: a serious film career, beginning with a role in a brilliant Spanish director’s next movie. To make the jump to the big screen, he’ll have to remake himself in more than one way. But as he runs his morning miles and scrutinizes his changing physique in the mirror, he doesn’t know that he’s not alone in his obsession—Kristin, an unstable American fan, has her own lofty ambitions. From the author of Man-Booker shortlisted The Quickening Maze, Dream Sequence is a moving depiction of psychological damage and the unsettling consequences of fame.
Adam Foulds is a poet and novelist from London, England, now resident in Toronto. He has been the recipient of a number of literary awards, including the Sunday Times Young Writer Of The Year, the Costa Poetry Prize, the Somerset Maugham Award, the South Bank Show Prize for Literature, the E. M. Forster Award, the Encore Award, and the European Union Prize For Literature. His 2009 novel, The Quickening Maze, was shortlisted for the Man Booker Prize. He was made a Fellow of the Royal Society of Literature in 2010. He was named as one of Granta Magazine’s Best of Young British Novelists in 2013 and of the Poetry Book Society’s Next Generation Poets in 2014.
ABOUT LATE BREAKING
Inspired by the work of Alex Colville, the linked stories in K.D. Miller’s Late Breaking form a suite of portraits that evoke the paintings’ looming atmospheres and uncanny stillness while traveling deeply into their subjects’ vividly imagined lives. Throughout, the collection bears witness to the vulnerability of the elder heart, revealing that love, sex, and heartbreak are not only the domain of the young, and deftly rendering the conflicts that divide us and the ties that bind.
K.D. Miller is the author of two previous short story collections, Give Me Your Answerand Litany on a Time of Plague, and an essay collection, Holy Writ. Her work has twice been collected in The Journey Prize Anthology and Best Canadian Stories, and she has been nominated for a National magazine Award for Fiction. She lives and writes in Toronto.
PRAISE FOR DREAM SEQUENCE
“Dream Sequence succeeds as a narrative thanks to Foulds’s prose. He doesn’t waste a single word, is frequently very funny, insightful and surprising. And he does a marvelous job of making us wonder who loves Henry the most, Kristin or Henry—and which of these possibilities is the most alarming consequence of celebrity.”
—New York Times Book Review
“The quality of the prose carries the book beyond conventions, as Mr. Foulds is able to conjure, with the unsettling immediacy of a person breathing against your neck, both Henry’s and Kristin’s private fixations and fantasies.”
—The Wall Street Journal
“Adam Foulds is one of the best fiction writers working today. Dream Sequence possesses all the hallmarks of his previous books–emotional acuity, beautiful prose–and also a seductive plot and an ingenious structure. It’s a great novel. I read it practically in one sitting.”
—David Bezmozgis, author of the Giller-shortlisted The Free World
“Dream Sequence notices everything . . . Description is intimate and visceral, scratching at the glossy surface of the lives of the characters and underpinning the ‘vacuum’ they move through, together but apart . . . This is a novel of screens, of echoes and constant counterpoint, driven by changes in light as much as its reflective plot where matters of ‘acting’ are paramount … [a] shimmering novel.”
—Times Literary Supplement (TLS)
“[An] entertainingly skewering new novel about ambition and obsession.”
“An outstanding and unyielding exploration of celebrity, fame, and all its attendant obsessions…Foulds’s novel is fun, smart, and tense, part psychological drama about media-driven obsession and part razor-sharp social critique.”
—Publishers Weekly (starred review)
“[Dream Sequence] is an exquisitely concocted, riveting account of artistic ambition and unrequited love verging on obsession . . . Foulds is proving himself to be a versatile writer of intelligence and charm.”
PRAISE FOR LATE BREAKING
“A deft, nuanced, and human collection of stories. K.D. Miller’s gaze catches both humour and darkness in a wide variety of relationships. A thoroughly captivating book.” —Rebecca Rosenblum
“An undercurrent of the surreal pulses through 10 linked stories…sensitive portrayals of the fragility of love and ubiquity of need. ”—Kirkus Reviews
“If K.D. Miller had produced nothing other than “The Last Trumpet,” the opening entry in this collection of linked stories, she would still have a place on any list of this year’s best fiction. Taking up themes of aging, loneliness, and regret, “The Last Trumpet” is one of the saddest, most affecting pieces of short fiction to appear in this country in recent memory. But that story is just the first blast in a collection that is consistently engaging and assured. The stories in Late Breaking—loosely tied together by recurring characters, a focus on aging and death, and the paintings of Alex Colville—are moving and beautifully written.” —Steven W. Beattie
“Compulsively readable. Like an Alex Colville painting . . . the longer you look, you realize there’s something darker going on underneath the surface. My favourite book so far this fall.” —CBC Ontario Morning
“Miller’s attentiveness . . . is touching . . . The stories themselves are rich with coherence, meaning, and suggestion, and part of what makes them so satisfying is the space they leave free for us to engage with them and find our own interpretation.” —Quill & Quire
“Each of the 10 stories is introduced by a haunting Colville image . . . These paintings, through mood and theme, serve as prompts for the stories, with characters often wandering in from one verbal canvas to another. Refreshingly, the stories feature people in their 60s experiencing big fat emotions that younger writers often deny them.” —Toronto Star
“These stories plumb the depths of sadness and despair but never lose sight of their obverse: the quiet resilience and dignity of the human spirit, which doesn’t fade with age.” —Hamilton Review of Books