Coming September 2020
Welcome to Stoop City, where your neighbours include a condo-destroying cat, a teen queen beset by Catholic guilt, and an emergency clinic staffed entirely by lovelorn skeptics. Couples counseling with Marzana, her girlfriend’s ghost, might not be enough to resolve past indiscretions; our heroine could need a death goddess ritual or two. Plus, Hoofy’s not sure if his missing scam-artist boyfriend was picked up by the cops, or by that pretty blonde, their last mark. When Jan takes a room at Plague House, her first year of university takes an unexpected turn—into anarcho-politics and direct action, gender studies and late-night shenanigans with Saffy, her captivating yet cagey housemate.
From the lovelorn Mary Louise, who struggles with butch bachelorhood, to rural teens finding—and found by—adult sexualities, to Grimm’s “The Golden Goose” rendered as a jazz dance spectacle, Kristyn Dunnion’s freewheeling collection fosters a radical revisioning of community. Dunnion goes wherever there’s a story to tell—and then, out of whispers and shouts, echoes and snippets, gritty realism and speculative fiction, illuminates the delicate strands that hold us all together.
Praise for Stoop City
“Like her feral, tormented citizens, Dunnion swaps registers, altitudes, myths, and meanings with heartbroken elan. These stories are merciful and naked; these sentences never miss.”—Paige Cooper, author of Zolitude
“Stoop City is a tender snarl of an album, a glorious collection of wreckage and beauty and insight. Dunnion’s care shines through each carefully crafted page.”—Casey Plett, author of Little Fish
Praise for Kristyn Dunnion
“The Dirt Chronicles is tough and tenderhearted, a beautifully-written literary ode to outlaw culture. Kristyn Dunnion’s writing is fierce and funny, a truly original book of stories I hope everyone will read.”—Zoe Whittall
“Kristyn Dunnion is an utterly glorious writer. The gothic lyricism of Tarry This Night not only secures her a place among the rising stars of genre-bridging literary fiction, it is a declarative staking-out of narrative territory that is uniquely hers. A superb, elegant read.”—Michael Rowe