It’s winter in Montreal, 2002, when a graphic design student’s gambling addiction starts to drag him under. In debt to the metal band that’s commissioned him to draw their album cover and ensnared in lies to his friends and his cousin, he takes the first job that promises a paycheck: dishwasher at La Trattoria, a high-end restaurant, where he finds himself thrust, on his first night, into roiling world of characters. A magnificent, hyperrealist debut, with a soundtrack by Iron Maiden, The Dishwasher plunges us into a world in which—for better or for worse—everyone depends on each other.
Praise for The Dishwasher
“The turbulent, immersive narration is an experience on its own. The result is often breathtaking: five hundred feverish pages that take us to a place somewhere between Dostoyevsky’s The Gambler and Anthony Bourdain’s KItchen Confidential…. Poignant and magnificent.” —Le Devoir (Montreal)
“Feverish writing, Montreal streets and characters magnificently described, mind-bending descriptions of what happens behind the scenes at restaurants–you’ll never see them in the same way once you’ve finished the book–a story that is both a dark tale and an existential suspense story, it all combines to make the book unputdownable…. It may be over 500 pages long, but so moving is the story that once you’ve started it, you feel the irresistible desire to devour it in a single sitting.” –Le Soleil (Quebec City)