In a crumbling apartment block in the Angolan city of Luanda, families work, laugh, scheme, and get by. In the middle of it all is the melancholic Odonato, nostalgic for the country of his youth and searching for his lost son. As his hope drains away and as the city outside his doors changes beyond all recognition, Odo-nato’s flesh becomes transparent and his body increasingly weightless.
A captivating blend of magical realism, scathing political satire, tender comedy, and literary experimentation, Transparent City offers a gripping and joyful portrait of urban Africa quite unlike any before yet published in English, and places Ondjaki, indisputably, among the continent’s most accomplished writers.
A VANITY FAIR HOT TYPE BOOK FOR APRIL 2018
Praise for Transparent City
“The prose in which Ondjaki tells this story is deftly stylized, suggesting the hazy interconnections between the cast of this sprawling, stunning work. Over time, the plot threads begin to converge, and both the miraculous and the absurdist aspects take on tragic qualities as the novel reaches its stunning conclusion.” —Words Without Borders
Praise for Ondjaki
“Ondjaki delivers playful magical realism with delightful defiance.” —The Barnes & Noble Review
“As with Ondjaki’s other novels—including Bom dis camaradas (2001; Good Morning Comrades) and Os Transparentes (2012)—this is a strangely deceptive read. Although the narrative often feels rather whimsical, Angola’s long history of colonialism and conflict, its various foreign allies and enemies, and the extraordinary suffering of its population, are menacingly present . . . a brave and highly political work.” —Times Literary Supplement