Happy Canadian Pub Date to Here I Am! by Pauline Holdstock

Today is the Canadian pub date for Here I Am! by Pauline Holdstock!

If you liked The Curious Incident of the Dog in the Night-Time

You’ll love Here I Am! by Pauline Holdstock!

     

 

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Here I Am!

Sometimes I forget that MyMum is dead. But that is probably better than remembering.

When Frankie’s mother dies, the six-year-old comes up with a plan: go to France, find a police station, and ask the officers to ring his father—and so begins Giller-nominated Pauline Holdstock’s eighth novel. Narrated in turns by Frankie, who likes cheese, numbers, the sea when it’s pink and “smooth like counting,” and being alone when he feels bad, and a cast of characters that includes his Gran and his father, Here I Am! is a mesmerizing story about innocence lost and found.

I would describe it as a cozy weekend read. I curled up with it on a Saturday after I had just read a really long book, and I finished it on Sunday. It reminded me of The Curious Incident of the Dog in the Night-Time, or Extremely Loud and Incredibly Close—just like those books, it’s narrated by a lovable kid who sees the world his own way, and doesn’t let the fact that he’s a kid keep him from going on a unique quest.

Though Here I Am! isn’t based on a true story, author Pauline Holdstock was inspired by an actual case in the US where a kindergarten child had had to go home and spend the night with the dead body of her mother because her teacher didn’t believe her when she said her mother had died.

 

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You can read an excerpt here.

 

 

Hat trick Tuesday! DREAM SEQUENCE by Adam Foulds and LATE BREAKING by KD Miller Nominated for 2019 Scotiabank Giller Prize!

On Tuesday, September 3, 2019, it was announced that Dream Sequence by Adam Foulds and Late Breaking by K.D. Miller have been longlisted for the 2019 Scotiabank Giller Prize.

Dream Sequence and Late Breaking are published by Biblioasis, an independent literary press based in Windsor, Ontario. Since 2004, Biblioasis has published contemporary fiction, nonfiction, poetry, and literature in translation. Another Biblioasis book, Ducks, Newburyport by Lucy Ellmann, was shortlisted for the Booker Prize 2019 just this morning.

In a statement, publisher Dan Wells said, “Well: it’s been a busy morning indeed around the Bibliomanse.  On the heels of Lucy Ellmann’s Booker shortlisting for Ducks, Newburyport comes two Giller nominations here in Canada: for Adam Fould’s Dream Sequence and K.D. Miller’s Late Breaking.  And if we were euphoric after Ducks, we’re positively moon-walking now. We’re so happy for all three authors. And it’s certainly not a bad way to kick off our 15th Anniversary year.”

Miller said, “This is such an affirmation. Always, in the back of a writer’s mind are the questions, ‘Will anyone want to read this? Will anyone enjoy and be moved by it?’ Getting the news about being long-listed for the Giller Prize was like hearing an enormous ‘Yes!’ to all that.  Thank you!”

Foulds said, “I am hugely honoured that Dream Sequence has been included on this longlist. It is a particular thrill as a new Canadian to receive this recognition from one of Canada’s most storied cultural institutions.”

 

ABOUT DREAM SEQUENCE

Henry Banks, star of the UK’s most popular television series, has higher aspirations, ones befitting of his talent: a serious film career, beginning with a role in a brilliant Spanish director’s next movie. To make the jump to the big screen, he’ll have to remake himself in more than one way. But as he runs his morning miles and scrutinizes his changing physique in the mirror, he doesn’t know that he’s not alone in his obsession—Kristin, an unstable American fan, has her own lofty ambitions. From the author of Man-Booker shortlisted The Quickening MazeDream Sequence is a moving depiction of psychological damage and the unsettling consequences of fame.

Adam Foulds is a poet and novelist from London, England, now resident in Toronto. He has been the recipient of a number of literary awards, including the Sunday Times Young Writer Of The Year, the Costa Poetry Prize, the Somerset Maugham Award, the South Bank Show Prize for Literature, the E. M. Forster Award, the Encore Award, and the European Union Prize For Literature. His 2009 novel, The Quickening Maze, was shortlisted for the Man Booker Prize. He was made a Fellow of the Royal Society of Literature in 2010. He was named as one of Granta Magazine’s Best of Young British Novelists in 2013 and of the Poetry Book Society’s Next Generation Poets in 2014.

ABOUT LATE BREAKING

Inspired by the work of Alex Colville, the linked stories in K.D. Miller’s Late Breaking form a suite of portraits that evoke the paintings’ looming atmospheres and uncanny stillness while traveling deeply into their subjects’ vividly imagined lives. Throughout, the collection bears witness to the vulnerability of the elder heart, revealing that love, sex, and heartbreak are not only the domain of the young, and deftly rendering the conflicts that divide us and the ties that bind.

K.D. Miller is the author of two previous short story collections, Give Me Your Answerand Litany on a Time of Plague, and an essay collection, Holy Writ. Her work has twice been collected in The Journey Prize Anthology and Best Canadian Stories, and she has been nominated for a National magazine Award for Fiction. She lives and writes in Toronto.

PRAISE FOR DREAM SEQUENCE

“Dream Sequence succeeds as a narrative thanks to Foulds’s prose. He doesn’t waste a single word, is frequently very funny, insightful and surprising. And he does a marvelous job of making us wonder who loves Henry the most, Kristin or Henry—and which of these possibilities is the most alarming consequence of celebrity.”
New York Times Book Review

“The quality of the prose carries the book beyond conventions, as Mr. Foulds is able to conjure, with the unsettling immediacy of a person breathing against your neck, both Henry’s and Kristin’s private fixations and fantasies.”

The Wall Street Journal

“Adam Foulds is one of the best fiction writers working today. Dream Sequence possesses all the hallmarks of his previous books–emotional acuity, beautiful prose–and also a seductive plot and an ingenious structure. It’s a great novel. I read it practically in one sitting.”
—David Bezmozgis, author of the Giller-shortlisted The Free World

Dream Sequence notices everything . . . Description is intimate and visceral, scratching at the glossy surface of the lives of the characters and underpinning the ‘vacuum’ they move through, together but apart . . . This is a novel of screens, of echoes and constant counterpoint, driven by changes in light as much as its reflective plot where matters of ‘acting’ are paramount … [a] shimmering novel.”
Times Literary Supplement (TLS)

“[An] entertainingly skewering new novel about ambition and obsession.”
Toronto Star

“An outstanding and unyielding exploration of celebrity, fame, and all its attendant obsessions…Foulds’s novel is fun, smart, and tense, part psychological drama about media-driven obsession and part razor-sharp social critique.”
Publishers Weekly (starred review)

“[Dream Sequence] is an exquisitely concocted, riveting account of artistic ambition and unrequited love verging on obsession . . . Foulds is proving himself to be a versatile writer of intelligence and charm.”
The Spectator

PRAISE FOR LATE BREAKING

“A deft, nuanced, and human collection of stories. K.D. Miller’s gaze catches both humour and darkness in a wide variety of relationships. A thoroughly captivating book.” —Rebecca Rosenblum

“An undercurrent of the surreal pulses through 10 linked stories…sensitive portrayals of the fragility of love and ubiquity of need. ”—Kirkus Reviews

“If K.D. Miller had produced nothing other than “The Last Trumpet,” the opening entry in this collection of linked stories, she would still have a place on any list of this year’s best fiction. Taking up themes of aging, loneliness, and regret, “The Last Trumpet” is one of the saddest, most affecting pieces of short fiction to appear in this country in recent memory. But that story is just the first blast in a collection that is consistently engaging and assured. The stories in Late Breaking—loosely tied together by recurring characters, a focus on aging and death, and the paintings of Alex Colville—are moving and beautifully written.” —Steven W. Beattie

“Compulsively readable. Like an Alex Colville painting . . . the longer you look, you realize there’s something darker going on underneath the surface. My favourite book so far this fall.” —CBC Ontario Morning

“Miller’s attentiveness . . . is touching . . . The stories themselves are rich with coherence, meaning, and suggestion, and part of what makes them so satisfying is the space they leave free for us to engage with them and find our own interpretation.” —Quill & Quire

“Each of the 10 stories is introduced by a haunting Colville image . . . These paintings, through mood and theme, serve as prompts for the stories, with characters often wandering in from one verbal canvas to another. Refreshingly, the stories feature people in their 60s experiencing big fat emotions that younger writers often deny them.” —Toronto Star

“These stories plumb the depths of sadness and despair but never lose sight of their obverse: the quiet resilience and dignity of the human spirit, which doesn’t fade with age.” —Hamilton Review of Books

Lucy Ellmann’s DUCKS, NEWBURYPORT Shortlisted for 2019 Booker Prize

#chancetheducks

On Tuesday, September 3, 2019, it was announced that Ducks, Newburyport by Lucy Ellmann has been shortlisted for the 2019 Booker Prize!

Booker Judge Joanna MacGregor said,  “Lucy Ellmann’s Ducks, Newburyport offers a radical literary form and voice. Dense to look at, challengingly epic, the novel is built around one Ohio housewife’s monologue, flowing with dazzling lightness and speed. The detritus and maddening complexity of domesticity unfold in one breath, over a thousand pages. Shards of film plot and song collide with climate change anxiety; the terrors of parenting, healthcare and shopping lists wrestle with fake news and gun culture. The narrator reverberates with humour, wordplay and political rage. The writing resonates like a dissonant yet recognisable American symphony for massive forces, with riffs and themes folding back, proliferating, and gradually cohering. Its one long sentence occasionally breaks to simply describe a mountain lioness and her cubs: a meditation on nurture that will be wrapped into the violence of the ending. Lucy Ellmann has written a genre-defying novel, a torrent on modern life, as well as a hymn to loss and grief. Her creativity and sheer obduracy make demands on the reader. But Ellmann’s daring is exhilarating ― as are the wit, humanity and survival of her unforgettable narrator.”

In a statement, Ellmann said, “In my book I suggest you should never tell people you’re happy, in case they wreck it for you. That’s why I’m having trouble writing this statement about getting put on the Booker shortlist. The fact is I’m euphoric.”

Biblioasis publisher and founder Dan Wells said, “We, too, are euphoric.  Ducks, Newburyport is a brilliant book, one of the most important we’ve been a part of as publishers.  It’s a book for our times, full of rage and sorrow and wonder, a revolution in book form, and now, because of the Booker jury’s endorsement, many more Canadian readers will discover it than might otherwise have been the case.  It’s very gratifying.

“A few months ago, we came across the nineteenth century phrase, “to chance the ducks”: it means, essentially, to do something regardless of the risks or potential for disaster.  Which pretty much describes what independent publishers around the world — with a special nod to our British counterparts, Galley Beggar Press, who first alerted us to Lucy’s magisterial novel — do every day.  It’s gratifying that with Ducks in particular the risk looks to be rewarded.  We’re all very grateful. To chance the ducks, indeed.”

Ducks, Newburyport will be published in the United States and Canada on September 10 by Windsor, Ont.-based press Biblioasis. Biblioasis titles have won the Writers’ Trust of Canada’s Rogers Fiction Prize, two Governor General’s Literary Awards and Trillium Book Awards, as well as seen ten nominations for the Scotiabank Giller Prize. Referred to by the Globe and Mail as “the first truly great Canadian press of the 21st Century,” Biblioasis celebrates its fifteenth year publishing fine books this October.

The news comes on the heels of an extraordinary burst of critical praise for the novel, with the Los Angeles Review of Books writing it “could possibly turn out to be the most important novel of the decade … Read Ducks, Newburyport. This is a novel for the idea of America today.”

The Irish Times called it “Breathlessly brilliant … an extraordinary achievement of wit and imagination … this isn’t just one of the outstanding books of 2019, it’s one of the outstanding books of the century, so far.”

Baking a multitude of tartes tatin for local restaurants, an Ohio housewife contemplates her four kids, husband, cats and chickens. Also, America’s ignoble past, and her own regrets. She is surrounded by dead lakes, fake facts, Open Carry maniacs, and oodles of online advice about survivalism, veil toss duties, and how to be more like Jane Fonda. But what do you do when you keep stepping on your son’s toy tractors, your life depends on stolen land and broken treaties, and nobody helps you when you get a flat tire on the interstate, not even the Abominable Snowman? When are you allowed to start swearing? With a torrent of consciousness and an intoxicating coziness, Ducks, Newburyport lays out a whole world for you to tramp around in, by turns frightening and funny. A heart-rending indictment of America’s barbarity, and a lament for the way we are blundering into environmental disaster, this book is both heresy—and a revolution in the novel.

One of the premier literary awards in the English-speaking world, the Booker carries a prize purse of £50,000 and has recognized outstanding fiction since 1969. Chair of the 2019 judges, Peter Florence, said of the list’s authors: “Imagine our world, familiar from news cycle disaster and grievance, with wild humour, deep insight and a keen humanity. These writers offer joy and hope.”

Awarded annually to the best novel of the year written in English and published in the UK or Ireland; this year’s panel is Afua Hirsch, Liz Calder, Xiaolu Guo and Joanna MacGregor, chaired by Peter Florence. Last year’s winner was Milkman by Anna Burns. Previous winners include Margaret Atwood and Salman Rushdie.

Lucy Ellmann’s first novel, Sweet Desserts, won the Guardian Fiction Prize. It was followed by Varying Degrees of Hopelessness, Man or Mango? A LamentDot in the UniverseDoctors & Nurses, and Mimi. Her short stories have appeared in magazines, newspapers and anthologies, and she has written for the New York TimesWashington PostGuardianIndependentTimes Literary SupplementTelegraphNew Statesman, Bookforum and The Baffler, among others. Though American by birth, she lives in Scotland.

PRAISE FOR DUCKS, NEWBURYPORT

“Breathlessly brilliant … an extraordinary achievement of wit and imagination … this isn’t just one of the outstanding books of 2019, it’s one of the outstanding books of the century, so far.”—The Irish Times

Ulysses has nothing on this … Once you get going, you’ll be too absorbed to stop.”Cosmopolitan

“Could possibly turn out to be the most important novel of the decade … Read Ducks, Newburyport. This is a novel for the idea of America today.”—Los Angeles Review of Books

“It’s a book that quite restores our faith in the possibility of literary ‘greatness’ while questioning what forms such ‘greatness’ can or should take. It is certainly, in its humane range and weight, a Great American Novel. Is it any good? Oh my word, yes. Reading it at this point in times seems like an act of human solidarity, a commitment to the world of truth and reason.”—Literary Review

“A wildly ambitious and righteously angry portrait of contemporary America.”—The Observer

“[Readers] will recognise Ellmann’s dauntless cataloguing of desires, her refusal to be anything but self-directed … It’s a book about a mother’s love, but also about loss and grief, and anxiety dreams about Donald Trump, and despair about mass shootings … It is also a catalogue of life’s many injuries and mishaps … and of the simple joys and consolations of memory and imagination. [A] triumph.”—The Guardian

“A remarkable portrait of a woman in contemporary America contemplating her own life and society’s storm clouds … brilliant.”—Publishers Weekly (starred review)

“A jaw-dropping miracle.”Library Journal (starred review)

“Mesmerizing, witty, maximalist…a bravura and caring inquiry into Earth’s glory, human creativity and catastrophic recklessness, and the transcendence of love.”—Booklist (starred review)

“Resplendent in ambition, humour and humanity … dizzying … a lifetime of memories hoarded and pored over, like the family heirlooms the narrator and her husband have inherited along with all the joy and desolation contained within them … In Ducks, Newburyport Ellmann has created a wisecracking, melancholy Mrs Dalloway for the internet age.”—Financial Times

For more information about Ducks, Newburyport, please see the attached press kit. For a review copy or to schedule an interview with the author, call 519-915-3930, or write to Chloe Moore at cmoore@biblioasis.com.

ABOUT BIBLIOASIS

Biblioasis is a literary press based in Windsor, Ontario. Since 2004 we have published the best in contemporary fiction, nonfiction, poetry, and literature in translation.