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The Bibliophile: May You Enjoy Your Stuff

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Lots of exercises are tricky: distinguishing your backlist from your frontlist; packing up your life and moving to another city; burpees. In last week’s newsletter, Vanessa helped with the first item. This week, I plan to help with the second. May god help you with the third.

I have had at least seven different mailing addresses across three cities over the last ten years. It might not be surprising then that I’ve become proficient at packing my life into boxes and bags and have completely given up on owning hangable artwork (I get tattoos now). To clarify, I never set out to be a digital nomad or minimalist. My circumstances have dictated that I choose which physical things to own very carefully. Having (approximately) exactly what you need makes the packing and moving process a lot less painful than it otherwise would be. You don’t want to trip while you’re carrying a box of deteriorating Teflon non-stick pans down a winding staircase (true story).

Photo: You can pick up a copy of May Our Joy Endure September 3, 2024.

These days, I tend to only keep material goods that bring a high degree of utility and aesthetic value to my life. The mugs that I own, for instance, are all different sizes and represent my various interests from wabi-sabi interior design to Star Wars. I also tend to only keep books I would re-read, find beautiful to look at, and are comfortable to hold. Until our author interview with Kev Lambert, I hadn’t paid too much conscious attention to what these items say about me. Kev, by the way, is the author of Que Notre Joie Demeure, a runaway bestseller that was shortlisted for the 2023 Goncourt Prize, and won the 2023 Médicis Prize (making Kev the first Canadian writer in a couple of generations to win this most prestigious of French awards). Donald Winkler’s translation into English, May Our Joy Endure will be available September 3, 2024. The novel transports readers into the lives of the ultra-privileged, primarily following Céline Wachowski, an internationally renowned architect who is accused of destroying struggling neighborhoods in Montreal with her plans for a newly commissioned project—the Webuy Complex. In a time of widening wealth disparity and rising costs of living, Céline’s depicted lavish lifestyle is simultaneously alluring and terrible. When we asked about their intentions behind these details in May Our Joy Endure, Kev shared some nice food for thought about our relationship to material things:

Q:

Let’s talk about the stuff in this novel, from the fashion (Comme des Garçons, Vivienne Westwood and Marie St. Pierre), to the books (from Lacan, to Tremblay, to Proust), to the wine, (they don’t drink white, they drink Sancerre), to the architectural materials (one of the characters has Corten Steel on the front door of his house which is beautiful but he fears was too trendy and is now dated). This is a novel about material culture that is very detailed in terms of what our culture is made of and how it is all put together. Why are these details important to both the novel’s aesthetic and its ambivalent perspective on cultural “makers” to use an ascendant if dubious term.

A:

There’s a sociological aspect to these decisions: these are all signs of distinction. Céline is ultra-rich but she doesn’t see herself as vulgar. Even if Céline is, in fact, nouveau riche because her money isn’t old, she certainly doesn’t want to be seen as nouveau riche, because she wants to be seen as a kind of radical aesthetic figure of the avant-garde. She has to communicate this in her style. She couldn’t wear Chanel because it’s too conservative and classic. So there’s an aspect of the referentiality that is character development. While I’m critical of these objects that are completely caught up in a capitalist culture of consumerism, there are still brilliant people who have thought about these clothes in an aesthetic way. You don’t need to own the object to see it and to understand its value. These materials in the novel also operate as a kind of intertextuality—the fashion designers the characters wear, the art on their walls, the food they eat, the opening nights they attend, it’s never insignificant. It’s a way of winking at the reader, of encouraging them to gain some critical distance from the world of Céline and of the novel at one moment and of pulling them in closer the next.

Photo: Kev’s Biblioasis books May Our Joy Endure, Querelle of Roberval, and You Will Love What You Have Killed.

So, as it is at the conclusion of a move, there seems to be much to unpack in May Our Joy Endure. The things we own might be valuable insofar as they: help us do things, mean something to us, and reflect us back into the world. To make matters more complex, this value might change over time as when our phone batteries die and cease to function (thanks to planned obsolescence) or when you can suddenly pull a leopard print coat from the back of your closet to look cool on a night out (thanks to the trending ‘mob wife aesthetic’). And presumably, we tend to hold onto our valuables and are more willing to let go of the less valuable. Quick—you can only grab three things on your way out of your burning home—what are you rescuing? The exercise of moving homes forces you to entertain a less intense version of this thought experiment, though it still confronts you about your relationship to everything you own.

Unlike the nouveau riche characters in May Our Joy Endure, I have grown into the habit of gently decluttering regularly and being very slow to purchase or borrow new-to-me things. My turnover of things has decreased, which in turn, has increased my awareness and appreciation for the things I have. It just so happens that this also reduces the stress associated with packing up your life and moving onto your next chapter since you already have a good idea of what to bring.

Julia Lei
Publicist

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Keep up with us!

News & Awards: HOW TO BUILD A BOAT, ON COMMUNITY, FULL-MOON WHALING CHRONICLES, and more!

IN THE NEWS!

THE FULL-MOON WHALING CHRONICLES

The Full-Moon Whaling Chronicles by Jason Guriel (August 1, 2023) has been reviewed in the Toronto Star by Michael Coren. The review was published online on July 29, 2023. You can read the full review here.

Michael Coren writes,

“[T]he book that’s going to get under your skin this summer … dizzyingly interesting … there is something utterly new and exciting here.”

The Full-Moon Whaling Chronicles has also been reviewed in Booklist. The review was published online on July 28, 2023. You can read the full review here.

Sal A. Joyce calls it:

“A story with heart, intrigue, and mystery … Lovers of science fiction will find this unlike anything they’ve read before.”

The Full-Moon Whaling Chronicles has been featured in Lit Hub and Book Riot. Both articles were published on August 1, 2023.

Read Lit Hub’s “27 New Books Out Today” list here and Book Riot’s “New Releases” list here.

Get The Full-Moon Whaling Chronicles here!

HOW TO BUILD A BOAT

How to Build a Boat by Elaine Feeney (November 7, 2023) has been longlisted for The Booker Prize 2023! The longlist was announced this morning, August 1, 2023. You can read the full announcement here.

The Booker jury writes:

“The interweaving stories of Jamie, a teenage boy trying to make sense of the world, and Tess, a teacher at his school, make up this humorous and insightful novel about family and the need for connection. Feeney has written an absorbing coming-of-age story which also explores the restrictions of class and education in a small community. A complex and genuinely moving novel.”

How to Build a Boat by Elaine Feeney was also reviewed in the Irish Times and RTE Ireland. Both articles were published online on July 22, 2023.

Irish Times calls it a “beautiful meditation on love,” while RTE Ireland calls it a “beautifully-written, tenderhearted story.”

Order How to Build a Boat here!

ON COMMUNITY

On Community by Casey Plett (November 7, 2023) has been featured in Quill and Quire’s 2023 Fall Nonfiction Preview. The article was published online on August 2, 2023.

You can read the preview here.

Order On Community here!

COCKTAIL

Cocktail by Lisa Alward (September 12, 2023) has been reviewed in The Miramichi Reader. The review was published online on August 1, 2023. You can read the full review here.

Lucy Black writes,

“This collection of twelve pristine short stories might best be described as small snapshots of lives shadowed by disquietude. The writing is crisp, accomplished and assured, and the characters are vividly and sympathetically drawn, as they experience the emotional convolutions of individuals struggling between that which they believe to be right and that which they desire.”

Order Cocktail here!

THE ART OF LIBROMANCY

The Art of Libromancy by Josh Cook (August 22, 2023) has been featured in the Chicago Review of Books as one of their “12 Must Read Books of August.” The article was published online on August 1, 2023. You can read the full article here.

Michael Welch calls it

“A necessarily critical look at the practice of connecting readers with their next book in the age of monopolization and censorship.”

Order The Art of Libromancy here!

THE COUNTRY OF TOO

The Country of Toó by Rodrigo Rey Rosa, translated by Stephen Henighan (July 11, 2023) has been reviewed in The Complete Review. The review was published online on July 29, 2023. You can read the full review here.

MA Orthofer calls it

“An appealing panorama of both the country and the different cultures and forces—from Mayan to global-capitalist—at work in it.”

Get The Country of Toó here!

SLEEP IS NOW A FOREIGN COUNTRY & OFF THE RECORD

Sleep is Now a Foreign Country by Mike Barnes (November 7, 2023) and Off the Record edited by John Metcalf (November 14, 2023) were both featured in Quill and Quire’s 2023 Fall Preview: Poetry, Memoir, and Biography. The article was published online on July 26, 2023. You can read the full article here.

Order Sleep is Now a Foreign Country here!

Order Off the Record here!