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The Bibliophile: The ghost in the machine

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It surprised me that the most riveting book I’ve read this year is on a topic I knew nothing about and didn’t think I would care to know much about anyway. But Don Gillmor hooked me. That won’t surprise anyone who has read him before. In On Oil, Gillmor, a journalist and former roughneck, takes us through the rise and fall of the oil industry. He had a front row seat to Alberta’s oil boom in the ’70s while working on the oil rigs and he uses that perspective to show how it transformed the province and the wide-ranging influence oil has had across the world. It has given some countries immense wealth and power. It has also corrupted governments, started wars, and worsened our environment.

Photo: On Oil by Don Gillmor. Designed by Ingrid Paulson.

Reading this book I learned that one of the first oil companies was started by a devout Baptist and some of the biggest oil companies were run by Christian evangelicals, which aided in building the mythology of oil as the key to a kingdom on earth. And now, as Gillmor says, “we find ourselves in a landscape that looks increasingly like the Book of Revelation. ‘A third of the earth was burnt up, and a third of the trees were burnt up, and all green grass was burnt up.’”

Please enjoy this short excerpt from On Oil, which will be released on April 22.

Ahmed Abdalla,
Publicist

***

Babylon

In boardrooms in Houston, Calgary, Kuwait, and a dozen other oil capitals, and on the floor of the New York and Chicago Mercantile Exchanges, oil was a global chess game where commodity futures were sold and bartered, oil shipped and traded. Millions of barrels lurched across the globe each day, traders hunched over streaming charts, puzzling over contracts for difference. Over the years, oil has won wars, started others, been a force for nationalism and colonization, and provided a stubborn mythology. It is the one true global religion. A glimpse of oil’s reach can be seen in America’s oil industry. Under Joe Biden, it produced 13.3 million barrels per day, enough to meet the US’s own needs. But in 2023 it imported 8.51 million barrels per day (bpd) from dozens of countries, and exported 10.15 million bpd to 173 countries. The oil network envelops the world in a complex web of shipping and refining capacity and capability, depending on cost-effectiveness and the grade of oil. Part of this is economic; it can be cheaper to import from countries with lower labour and capital costs and fewer environmental regulations. And part of it is chemistry; the heavy, sour (high sulphur content) oil that the US was importing from Venezuela and Mexico when it still needed to import oil requires a specific kind of refinery. Some of the refineries on the Gulf coast are equipped to process that oil (along with Canadian bitumen), as opposed to the light, sweet oil that Texas produces. Refineries take years to build and are expensive—between US$5 and 15 billion. With the exception of a small North Dakota refinery that came online in 2020, no US refineries have been built since 1976. Past the economics and chemistry, there are the geopolitics. Countries (Russia, Saudi Arabia, the US) sell oil at advantageous prices to other countries to gain influence and status. It is the world’s most pervasive diplomatic tool.

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Canada’s oil landscape is equally byzantine. Canadian pipelines tend to run south rather than east, so Ontario and Quebec get their oil from an evolving patchwork of sources that shifts depending on economics and politics. Since 1988, eastern Canada has imported more than $500 billion in foreign oil, coming from the US, Venezuela, Saudi Arabia, Algeria, Nigeria, Norway, and others. The landscape can shift quickly. In 2012, Quebec got 92 percent of its oil from Kazakhstan, Angola, and Algeria, and just 1 percent from Alberta. Five years later, it was getting 44 percent of its oil from Alberta, the result of Enbridge’s Line 9 pipeline.

It binds us all. Oil has a pulse, it evolves and migrates, transforming cities and governments, entire countries. It fuelled economic growth and triggered recessions and gave us the romance of the open road. But at its source, in Texas and Oklahoma and Louisiana and in camps in the Arctic, and outside Medicine Hat, it was men trudging onto the drilling floor, labouring in the heat or cold amid a symphony of engine noise, wrestling with drill pipe, spinning chains, tongs and slips, the kelly hose bobbing above them as they punched another hole in the earth. Even for us, oil remained an abstraction. I never saw it; there were no dramatic gushers, black oil spewing from the earth, coating everything. It powered our cars and homes and was used in the manufacture of a thousand products, from plastics to fertilizers to Aspirin. It powered our lives: We are Hydrocarbon Man, Homo Oleum. Yet it remains unseen, the ghost in the machine.

***

After graduating from university, I worked on an oil rig for a hundred straight days, with what was probably the oldest crew in the oil patch, weathered, gnarled men in their late sixties, one in his seventies, ancient for rig work, their lives a country and western song. Pete, the wobbly seventy-two-year-old derrickman, came home to find his wife gone, along with all the furniture, appliances, and curtains. There was a note on the floor: “Your dinner’s in the oven.” There was no oven. The driller was a ropy-muscled troll who had worked on the killing floor of a meat-packing plant but quit finally, saying it took too much of you, all that death. My fellow roughneck was a farmer whose modest crop had been lost to drought. He was in his late sixties, with a deeply lined face, a face that could hold a spring rain, as my grandmother might have said. Between connections he would roll a cigarette and walk to the edge of the lease and smoke and stare at the horizon.

Photo: Check out Don Gillmor’s new feature in Maclean’s.

I went up in the derrick when Pete was drunk or too hungover to climb the thirty metres onto his perch. We were south of Calgary and I was ten storeys off the ground, a view of the Rockies to the west and limitless prairie to the east, farms and ranches laid out like a Mondrian painting, a glorious solitude.

With my first paycheque I bought a plane ticket to Europe, then counted the days like a convict. Four months later, I was sitting on a beach on the Greek island of Crete, blobs of sticky oil dotting the sand around me. A tanker carrying crude oil from Libya had run aground off the south coast of Crete and here was the residue. Only two months earlier, the Amoco Cadiz had split apart off the Brittany coast in France, spilling 230,000 tonnes of oil, at that point the largest spill in history. Twenty thousand birds were killed and millions of sea creatures. Two months after the spill, six thousand French soldiers were still cleaning up the coastline.

The 1970s was a banner decade for oil tanker spills. More happened in that decade than any decade before or since. It was peak spill, with an alarming 788 of them (by contrast, the 2010s saw 63 spills). Millions of tonnes spilled into the seas. The world was awash in oil.

***

In good publicity news:

  • Don Gillmor, author of On Oil, was interviewed on TVO’s The Agenda, and wrote the article “Why Trump Needs Canadian Oil” for Maclean’s.
  • Ripper was mentioned in The Hill Times: “A bracing reminder of some of the reputations Poilievre has ruined, the malicious fictions he has promoted, [and] the tiresome slogans he stitches into every utterance.” Mark Bourrie was also featured in Vancouver CityNews’s Bookshelf.
  • Question Authority by Mark Kingwell was reviewed in the New York Journal of Books: “A master of words . . . [Kingwell] writes with deep affection and hope for humanity and openly shares his darkest and brightest moments along life’s bumpy road.
  • A few of our titles appear in the Literary Review of Canada’s May 2025 issue:
    • Review of On Book Banning by Ira Wells: “Persuasively explains how book banning reduces and devalues art and how it constitutes an attack on intellectual autonomy and on ‘your right to determine the future of your own mind.’
    • Review of Baldwin, Styron, and Me by Mélikah Abdelmoumen (trans. Catherine Khordoc): “Demonstrates the good faith conversations being held within a cultural scene that is both local and transnational in its outlook.
    • Review of UNMET by stephanie roberts: “With a resolute inward stare, Roberts reveals the cumulative nature of life.

Media Hits: UNMET, The Passenger Seat, Baldwin Styron and Me, and more!

IN THE NEWS!

UNMET

UNMET by stephanie roberts was reviewed in a poetry feature in the Literary Review of Canada. The review will appear in their May print issue, and is available online here.

Emily Mernin writes,

“In alternately nervous and incisive modes, roberts explores the profound contradictions behind even the most clear-eyed criticisms or desires . . . With a resolute inward stare, roberts reveals the cumulative nature of life.”

UNMET was reviewed in The Woodlot on April 7, and you can read the full review here.

Chris Banks writes,

“[roberts’] language is ‘surprise-drenched’ . . . this fantastic book is a piling on of surprising images and poetic structures and creative desires allowing both reader and poet the opportunity to rise above the Dollar Store desolation and grief and human injustice that plague our society.”

UNMET was featured on the CBC Books list of “39 Canadian poetry collections coming out in spring 2025.” You can check out the full list here.

Get UNMET here!

ON BOOK BANNING

On Book Banning by Ira Wells was reviewed in the Literary Review of Canada. The review will appear in their May print issue, and is available online here.

Keith Garebian writes,

“With this slim volume, Wells lays out cogent arguments against culture warriors who continue to warp our children’s relationship to literature . . . Wells persuasively explains how book banning reduces and devalues art and how it constitutes an attack on intellectual autonomy and on ‘your right to determine the future of your own mind.'”

Ira Wells spoke on an episode of TVO’s The Agenda for the segment “How Does Book Banning Hurt Democracy?” You can watch the full segment here.

Get On Book Banning here!

ON OIL

Don Gillmor, author of On Oil, was interviewed on TVO’s The Agenda on April 10. You can watch the full segment “Should Canada Rethink Its Relationship to Oil?” here.

Don Gillmor wrote an article, “Why Trump Needs Canadian Oil,” for Maclean’s on April 8. Read the full article here.

On Oil was also featured on the CBC Books list of “29 Canadian books you should be reading in April.” You can view the full list here.

Get On Oil here!

BALDWIN, STYRON, AND ME

Baldwin, Styron, and Me by Mélikah Abdelmoumen (translated by Catherine Khordoc) was reviewed in the Literary Review of Canada. The review will appear in their May print issue, and is available online here.

Amanda Perry writes,

“Abdelmoumen’s work . . . demonstrates the good faith conversations being held within a cultural scene that is both local and transnational in its outlook.”

Grab Baldwin, Styron, and Me here!

THE PASSENGER SEAT

The Passenger Seat by Vijay Khurana was listed in the Guardian‘s “Best Australian books out in April.” The list was published on April 4, and can be viewed here.

Steph Harmon calls it,

“A tense and gripping power struggle of toxic masculinity, as the teenagers push each other further and further down a violent road of no return.”

The Passenger Seat was reviewed in Rabble on April 10, in the article “Walk like a man: Toxic masculinity in crime fiction, fact and spoken word.” You can read the full review here.

“The structure of the book and its lyrical prose combine to make telling points about toxic male bonding and its relationship to sexist violence, all without any counterproductive lecturing or explicit judgements. The magisterial way that Khurana uses the classic elements of noir crime writing to challenge and subvert those very elements is impressive.”

Grab The Passenger Seat here!

RIPPER

Ripper: The Making of Pierre Poilievre by Mark Bourrie was featured a The Hill Times article about Poilievre on April 14. Check out the full piece here.

Susan Riley writes,

“Former political journalist Mark Bourrie’s new book, Ripper, is a bracing reminder of some of the reputations Poilievre has ruined, the malicious fictions he has promoted, [and] the tiresome slogans he stitches into every utterance.”

Ripper and author Mark Bourrie were featured on Vancouver CityNews’s NewsRadio Bookshelf on April 13. You can listen to the short interview or read the article here.

John Ackermann notes,

“The book is a more pointed treatment of its subject than Andrew Lawton’s Pierre Poilievre: A Political Life, which came out last year when the Tories were still riding high in the polls.”

Ripper was mentioned in Dan Garner’s Substack as a book to check out. You can read the full article here.

“If it weren’t for Mark and a small number of others willing to make sacrifices, popular Canadian history would have vanished entirely from book stores.”

Get Ripper here!

OLD ROMANTICS

Old Romantics by Maggie Armstrong was reviewed in the Winnipeg Free Press on April 5. Check out the full review here!

Ron Robinson writes,

“Armstrong offers fine, astute turns of phrase in her writing . . . The reader’s delight in the stories may range, then, from ‘you go, girl’ to a censorious ‘it will all end in tears’ depending on your age and experience.”

Grab a copy of Old Romantics here!

COMRADE PAPA

Comrade Papa by GauZ’ (translated by Frank Wynne) was reviewed in the Winnipeg Free Press on April 12. You can read the full review here.

Zilla Jones writes,

“This is a postcolonial novel that questions the dominant narrative with humour and heart.”

Grab Comrade Papa here!

QUESTION AUTHORITY

Question Authority by Mark Bourrie was reviewed in the New York Journal of Books, which can be read here.

Karen R. Koenig writes,

“A master of words who is well-versed in philosophy, political science, sociology, and psychology, [Mark Kingwell] writes with deep affection and hope for humanity and openly shares his darkest and brightest moments along life’s bumpy road. Though this is a serious book requiring thoughtful reading, Kingwell’s wit will make readers laugh out loud at him and at themselves.”

Get Question Authority here!

SORRY ABOUT THE FIRE

Sorry About the Fire by Colleen Coco Collins won 3rd Prize in the Alcuin Award for Excellence in Book Design in Canada’s Poetry category! The award was given to the book’s designer, Natalie Olsen. You can view the full list of winners here.

Grab Sorry Abou the Fire here!

Media Hits: RIPPER, UNMET, ON OIL, and more!

IN THE NEWS!

RIPPER

Ripper: The Making of Pierre Poilievre by Mark Bourrie was reviewed by Charlotte Gray in the Globe and Mail on April 1. You can read the full review here.

Gray writes,

“Mark Bourrie has produced a searing but convincing critique of the Conservative Leader’s shortcomings that will give pause to anyone outside the diehard Poilievre base.”

Ripper was also reviewed in the Hill Times on April 2. Check out the full review here.

Mark Bourrie was featured in the Toronto Star in conversation with Stephen Maher. The article was published online on March 29, and you can read it here.

Get Ripper here!

UNMET

UNMET by stephanie roberts was reviewed in The Miramichi Reader on April 1. Check out full review of this poetry collection here.

Pearl Pirie writes,

“[roberts] admirably permits wide swathes of herself on the page, yet without being didactic or maudlin and without overwriting.”

stephanie roberts was interviewed by Olive Andrews for The Ex-Puritan‘s Winter 2025 issue. Read the full interview here.

Andrews writes of the collection,

“The poems are both singular and vast, wading through moments, objects, and places with visceral clarity while guiding the reader through the thrashing waves of its overarching themes: loneliness, pandemic, domestic violence, ecological crisis, police brutality, and more. The work is grounded and groundbreaking, pointed and sprawled. “

stephanie roberts was also interviewed for Open Book‘s ‘Poets in Profile’ on March 28. Check out the interview here.

Open Book writes,

“stephanie roberts returns with another complex and stunning work that looks at both the seen and unseen, and explores social issues through lyric and line in a truly singular way.”

Grab UNMET here!

ON BOOK BANNING

Ira Wells, author of On Book Banning, was interviewed by David Moscrop this week in The Jacobin. The article, “The Shared Logic of Censorship,” discussing censorship and what’s being done to combat it, can be read here.

From the interview, Wells says:

“Education involves building up critical thinking facilities and faculties. Indoctrination involves breaking them down. Education involves inculcating independent thinking. Indoctrination involves submission to doctrine.

We need to rediscover that distinction. And we need to revive the best spirit of our democracy.”

Grab On Book Banning here!

ON OIL

On Oil by Don Gillmor was featured on LitHub‘s list of “10 Nonfiction Books to Read in April.” Check out the full list here.

LitHub writes,

“Gillmor . . . draws a line from the greed and hubris at the heart of that first explosion straight to the present day—and beyond.”

Get On Oil here!

THE PASSENGER SEAT

The Passenger Seat by Vijay Khurana was reviewed in The Tyee, for the article “There’s Power in Male Bonding. Must There Be Menace?” The review was posted on March 28, and you can read it here.

Tom Sandborn writes,

“Khurana employs classic tropes of the buddy road trip and crime novel/true crime genres while giving them a critical 21st-century twist—think In Cold Blood meets Grand Theft Auto with the psychological complexity and moral anguish of Dostoevsky and inputs from third-wave feminists.”

Get The Passenger Seat here!

OLD ROMANTICS

Old Romantics by Maggie Armstrong was excerpted in LitHub. The chapter “My Success” can be read in full here.

Old Romantics was also given a pre-review by Kassie Rose in The Longest Chapter, which can be read here. Rose writes,

“I had other books lined up to read, but the narrator of all the stories in Old Romantics hooked me.”

Maggie Armstrong was interviewed by Tadgh Hoey in Brooklyn Rail, which you can read in full here.

Hoey writes,

“Reading [Old Romantics] left me vacillating between almost spitting out my coffee to laugh and feeling sunken and eviscerated at the recognition of Margaret’s many personal, professional, and romantic disappointments and the scalpel-like precision with which Armstrong renders them page after page.”

Grab Old Romantics here!

MAY OUR JOY ENDURE

May Our Joy Endure by Kev Lambert (trans. Donald Winkler) appeared on CBC The Next Chapter’s list of three books in translation to check out now. You can read the article here.

Reviewer Robert Wiersema says,

“[The translation] flows beautifully … it has a metrical rhythmic quality that is very unusual in English. So I think that’s Winkler’s translation from the French, at work.”

Grab May Our Joy Endure here!

Events

On Oil: Don Gillmor at Words Festival

Join Don Gillmor as he speaks about his new book On Oil, a searching reconsideration of our long, complex, tortured relationship with oil, in this virtual event with the Words Festival. Don will be in conversation with host and Words Director Josh Lambier.

This free virtual event will take place on Tuesday, April 29 at 7pm EST over Zoom.

More details and event link here.

Grab On Oil here!

ABOUT ON OIL

A journalist, and former roughneck, considers our long, complex, tortured relationship with oil.

Oil has dominated our lives for the last century. It has given us warmth, progress, and life-threatening pollution. It has been a gift and is now a threat. It has started wars, ended wars, and infiltrated governments—in some cases, effectively become the government. And now oil’s enduring mythology is facing a messy, complicated twilight.

In On Oil, Don Gillmor, who worked as a roughneck on oil rigs during the seventies oil boom in Alberta, looks at how the industry has changed over the decades and illustrates the ways our dependence on oil has led to regulatory capture, in Canada and elsewhere, and contributed to armed conflict and war across the world. Gillmor documents the myriad ways that oil companies have misdirected environmental action and misinformed the public about climate concerns and illuminates where we went wrong—and how we might yet change course.

ABOUT DON GILLMOR

Don Gillmor is the author of To the River, which won the Governor General’s Award for nonfiction. He is the author of three novels, Long Change, Mount Pleasant, and Kanata, a two-volume history of Canada, Canada: A People’s History, and nine books for children, two of which were nominated for the Governor General’s Award. He was a senior editor at The Walrus, and his journalism has appeared in Rolling StoneGQThe WalrusSaturday NightToronto Life, the Globe and Mail, and the Toronto Star. He has won twelve National Magazine Awards and numerous other honours. He lives in Toronto.

On Oil: Don Gillmor at Ottawa Writers Festival

Join Don Gillmor as he speaks at the Ottawa Writers Festival about his new book On Oil, in which the journalist and former roughneck considers our long, complex, tortured relationship with oil.

This event, hosted by Jennifer Baker, will take place on Saturday, May 3 at 4PM.

Tickets and more details here.

Grab On Oil here!

ABOUT ON OIL

A journalist, and former roughneck, considers our long, complex, tortured relationship with oil.

Oil has dominated our lives for the last century. It has given us warmth, progress, and life-threatening pollution. It has been a gift and is now a threat. It has started wars, ended wars, and infiltrated governments—in some cases, effectively become the government. And now oil’s enduring mythology is facing a messy, complicated twilight.

In On Oil, Don Gillmor, who worked as a roughneck on oil rigs during the seventies oil boom in Alberta, looks at how the industry has changed over the decades and illustrates the ways our dependence on oil has led to regulatory capture, in Canada and elsewhere, and contributed to armed conflict and war across the world. Gillmor documents the myriad ways that oil companies have misdirected environmental action and misinformed the public about climate concerns and illuminates where we went wrong—and how we might yet change course.

ABOUT DON GILLMOR

Don Gillmor is the author of To the River, which won the Governor General’s Award for nonfiction. He is the author of four novels, Breaking and Entering, Long Change, Mount Pleasant, and Kanata, a two-volume history of Canada, Canada: A People’s History, and nine books for children, two of which were nominated for the Governor General’s Award. He was a senior editor at The Walrus, and his journalism has appeared in Rolling StoneGQThe WalrusSaturday NightToronto Life, the Globe and Mail, and the Toronto Star. He has won twelve National Magazine Awards and numerous other honours. He lives in Toronto.