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THE DEBT Virtual Launch Video

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Over the weekend we celebrated the launch of Andreae Callanan’s poetry collection, The Debt! Andreae Callanan was joined in conversation by Elaine Feeney, and the event was emceed wonderfully by Mark Callanan. The launch finished off with an audience Q&A, and a successful book giveaway. The event was also co-hosted by Running the Goat Books in Tors Cove, NL.

And if you couldn’t make it, don’t worry! You can still watch here:

ABOUT THE DEBT

Set against the backdrop of a post-moratorium St. John’s, Newfoundland, The Debt explores tensions between tradition and innovation, and between past and present in a province unmoored by loss and grief. The Debt is about development and change, idleness and activism, ecological stewardship, feminism, motherhood, the personal and the political. It is also about resistance—against the encroaching forces of greed and capitalism, even against the accumulated notions of the self. The poems are an argument for community and connection in an age increasingly associated with isolation of the individual. The Debt explores the dues we all owe: to nature, to those who came before us, and to one another.

ABOUT ANDREAE CALLANAN

Andreae Callanan’s poetry, essays, and reviews have been read in The Walrus, Canadian Notes and Queries, Canadian Verse 2, Riddle Fence, CBC.ca, and The Newfoundland Quarterly. She is a recent recipient of the Cox & Palmer SPARKS Creative Writing Award at Memorial University of Newfoundland, and she holds a Vanier Canada Graduate Scholarship and a Pierre Elliott Trudeau Foundation Scholarship for her doctoral work in English literature. Her chapbook, Crown, was published by Anstruther Press in 2019. Andreae lives in St. John’s with her husband and their four children.

 

Pre-order your copy from Running the Goat Bookstore

Learn more about The Debt, or pre-order your copy, from Biblioasis

Celebrating Poetry Month with Biblioasis Poets!

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It’s National Poetry Month, and Biblioasis is celebrating virtually with our brilliant poets! Each day we’re featuring a different poet on our social media, who not only reads from their work, but gives a little insight into their poetry as well. Join us for this exciting month of paying tribute to poetic excellence by checking out their readings so far below!

 

Starting off the month was a throw-back to an event from last year, A Best Canadian Poetry Virtual Event, with Anita Lahey and Luke Hathaway. Featuring readings from, and discussions about, Best Canadian Poetry 2020 anthology!

Sanna Wani is the first of our individual poet readings, beginning with her poem “As I pray”, which was in Best Canadian Poetry 2020, and originally published in canthius:

Geoff Pevlin reads and discusses “clumper crackies/Ice Pan Puppies”, from Best Canadian Poetry 2020, originally published in The Fiddlehead:

Fiona Tinwei Lam leads us into her poem “Ode to the Potato”, featured in Best Canadian Poetry 2020, and originally published in The New Quarterly:

Next up, Dallas Hunt reads “Louise”, featured in Best Canadian Poetry 2020, and originally published in Contemporary Verse 2:

Susan Haldane gives a lovely reading of “Thin-Skinned”, featured in Best Canadian Poetry 2020, and originally published in Grain Magazine:

Rob Budde discusses his poem “Blockade”, featured in Best Canadian Poetry 2020, and first published in The Goose Journal:

Kevin Spenst’s poem, “It Will Rain Like Rods On the Hillside in Sweden” is read not by one, but various people to to articulate the presence of rain across the world. Spenst is featured in Best Canadian Poetry 2020, and his poem was originally published in Taddle Creek.

Dell Catherall brings us outside with her poem “Fig Sestina”, featured in Best Canadian Poetry 2020, and originally published in The New Quarterly:

Rounding out the first half of the month is Erín Moure, reading “Odiama”, which was featured in Best Canadian Poetry 2020, and first published in Arc Poetry Magazine:

 

But Poetry Month’s not over yet! Follow along on Facebook, Twitter, and YouTube throughout the rest of April to continue listening to more from our amazing poets!

 

Purchase Best Canadian Poetry 2020 from Biblioasis here, or from your local bookstore!

VILLA NEGATIVA and SMITHEREENS Virtual Double Launch Video

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We had a wonderful time last night celebrating the double poetry launch of Sharon McCartney’s Villa Negativa, as well as Terence Young’s Smithereens from Harbour Publishing! The two authors each read from their books, and had a lively discussion, before finishing the event with an audience Q&A and giveaway.

And if you missed it, don’t worry! You can still watch the video here:

Order your copy of Villa Negativa by Sharon McCartney here.

Visit Harbour Publishing’s site to learn more about Smithereens by Terence Young here.

ABOUT VILLA NEGATIVA

The anticipated seventh collection of poetry from the celebrated Canadian poet.
How can we know who we are when we can never step away from ourselves? Villa Negativa posits that we can only know what we are not and explores that conundrum against the backdrop of a sibling’s illness and death, an eating disorder and a couple of really dismal dating relationships. Though it could be sombre territory, Villa Negativa looks for the laughter behind the darkness: the housebreaker who takes off her shoes first, the fabricator whose most intimate relationship is with fibreglass, the anorexic who sends the Diet Coke back because it tastes too good.

ABOUT SMITHEREENS

In Smithereens, Terence Young ranges widely among forms, subjects, tones and moods, invoking the domestic world of family and home, as well as the associated realms of work and play. He describes the simple pleasure of losing one’s bearings and seeing the world anew in “Tender is the Night,” and in “The Bear” he records the near-magical appearance at a summer cabin of a creature that hasn’t been seen in the area in over fifty years. The ironic benefits of a house fire, the late-night sounds of a downtown alley, the smells of a summer morning in the Gulf islands—all of these serve as vehicles for reminiscence, meditation and humour. Elsewhere in the collection, he summons an elegiac mood, remembering in poems like “Surcease,” “Fern Island Candle,” “The Morning Mike Dies,” and “Gary” some of the friends who have left his world. More than any of his previous books, though, Smithereens features poems that are playful, in which language is often associative, surprising and fun. It is a collection that will reward readers, whatever their temperament upon picking it up, and it will also invite them to return to its pages again and again.

 

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