Posts

The Bibliophile: Books for Black History Month

Want to get new excerpts, musings, and more from The Bibliophile right away? Sign up for our weekly online newsletter here!

***

In celebration of Black History Month, we’re highlighting our books by Black writers, along with some additional reads. If you’re on the lookout to expand your knowledge in nonfiction, read stories that take you around the world from the Caribbean to Angola, or discover strikingly new poetry, then have a browse through the titles below and find something to add to your reading list—for this month, and beyond.

Ashley Van Elswyk,
Editorial Assistant

***

They Call Me George by Cecil Foster, cover designed by Michel Vrana, and On Property by Rinaldo Walcott, designed by Ingrid Paulson.

Nonfiction

They Call Me George: The Untold Story of Black Train Porters and the Birth of Modern Canada by Cecil Foster

Smartly dressed and smiling, Canada’s black train porters were a familiar sight to the average passenger—yet their minority status rendered them politically invisible, second-class in the social imagination that determined who was and who was not considered Canadian. Subjected to grueling shifts and unreasonable standards—a passenger missing his stop was a dismissible offense—the so-called Pullmen of the country’s rail lines were denied secure positions and prohibited from bringing their families to Canada, and it was their struggle against the racist Dominion that laid the groundwork for the multicultural nation we know today. Drawing on the experiences of these influential black Canadians, Cecil Foster’s They Call Me George demonstrates the power of individuals and minority groups in the fight for social justice and shows how a country can change for the better.

On Property by Rinaldo Walcott

That a man can lose his life for passing a fake $20 bill when we know our economies are flush with fake money says something damning about the way we’ve organized society. Yet the intensity of the calls to abolish the police after George Floyd’s death surprised almost everyone. What, exactly, does abolition mean? How did we get here? And what does property have to do with it? In On Property, Rinaldo Walcott explores the long shadow cast by slavery’s afterlife and shows how present-day abolitionists continue the work of their forebears in service of an imaginative, creative philosophy that ensures freedom and equality for all. Thoughtful, wide-ranging, compassionate, and profound, On Property makes an urgent plea for a new ethics of care.

***

From left to right: Standing Heavy and Comrade Papa by GauZ’ (trans. Frank Wynne), with covers designed by Nathan Burton, and The Pages of the Sea by Anne Hawk, designed by Kate Sinclair.

Fiction

The Pages of the Sea by Anne Hawk

On a Caribbean island in the mid-1960s, a young girl copes with the heavy cost of migration.

When her mother emigrates to England to find work, Wheeler and her older sisters are left to live with their aunts and cousins. She spends most days with her cousin Donelle, knocking about their island community. They know they must address their elders properly and change their shoes after church. And during the long, quiet weeks of Lent, when the absent sound of the radio seems to follow them down the road, they look forward to kite season. But Donelle is just a child, too, and though her sisters look after her with varying levels of patience, Wheeler couldn’t feel more alone. Everyone tells her that soon her mother will send for her, but how much longer will it be? And as she does her best to navigate the tensions between her aunts, why does it feel like there’s no one looking out for her at all? A story of sisterhood, secrets, and the sacrifices of love, The Pages of the Sea is a tenderly lyrical portrait of innocence and an intensely moving evocation of what it’s like to be a child left behind.

Standing Heavy by GauZ’ (trans. Frank Wynne)

A funny, fast-paced, and poignant take on Franco-African history, as told through the eyes of three African security guards in Paris.

All over the city, they are watching: Black men paid to stand guard, invisible among the wealthy flâneurs and yet the only ones who truly see. From Les Grands Moulins to a Sephora on the Champs-Élysées, Ferdinand, Ossiri, and Kassoum find their way as undocumented workers amidst political infighting and the ever-changing landscape of immigration policy. Fast-paced and funny, poignant and sharply satirical, Standing Heavy is a searing deconstruction of colonial legacies and capitalist consumption and an unforgettable account of everything that passes under the security guards’ all-seeing eyes.

Comrade Papa by GauZ’ (trans. Frank Wynne)

Mourning the recent deaths of his parents, a young white man in nineteenth-century France joins a colonial expedition attempting to establish trading routes on the Ivory Coast and finds himself caught between factions who disagree on everything—except their shared loathing of the British. A century later, a young Black boy born in Amsterdam gives his account, complete with youthful malapropisms, of his own voyage to the Ivory Coast, and his upbringing by his father, Comrade Papa, who teaches him to always fight “the yolk of capitalism.” In exuberant, ingenious prose, GauZ’ superimposes their intertwined stories, looking across centuries and continents to reveal the long arc of African colonization.

All by by Ondjaki, trans. Stephen Henighan: Granma Nineteen and the Soviet’s Secret (designed by Kate Hargreaves), Good Morning Comrades, and Transparent City (designed by Zoe Norvell).

Good Morning Comrades by Ondjaki (trans. Stephen Henighan)

Luanda, Angola, 1990. Ndalu is a normal twelve-year old boy in an extraordinary time and place. Like his friends, he enjoys laughing at his teachers, avoiding homework and telling tall tales. But Ndalu’s teachers are Cuban, his homework assignments include writing essays on the role of the workers and peasants, and the tall tales he and his friends tell are about a criminal gang called Empty Crate which specializes in attacking schools. Ndalu is mystified by the family servant, Comrade Antonio, who thinks that Angola worked better when it was a colony of Portugal, and by his Aunt Dada, who lives in Portugal and doesn’t know what a ration card is. In a charming voice that is completely original, Good Morning Comrades tells the story of a group of friends who create a perfect childhood in a revolutionary socialist country fighting a bitter war. But the world is changing around these children, and like all childhood’s Ndalu’s cannot last. An internationally acclaimed novel, already published in half a dozen countries, Good Morning Comrades is an unforgettable work of fiction.

Granma Nineteen and the Soviet’s Secret by Ondjaki (trans. Stephen Henighan)

By the beaches of Luanda, the Soviets are building a grand mausoleum in honour of the Comrade President. Granmas are whispering: houses, they say, will be dexploded, and everyone will have to leave. With the help of his friends Charlita and Pi (whom everyone calls 3.14), and with assistance from Dr. Rafael KnockKnock, the Comrade Gas Jockey, the amorous Gudafterov, crazy Sea Foam, and a ghost, our young hero must decide exactly how much trouble he’s willing to face to keep his Granma safe in Bishop’s Beach. Energetic and colourful, impish and playful, Granma Nineteen and the Soviet’s Secret is a charming coming-of-age story.

Transparent City by Ondjaki (trans. Stephen Henighan)

In a crumbling apartment block in the Angolan city of Luanda, families work, laugh, scheme, and get by. In the middle of it all is the melancholic Odonato, nostalgic for the country of his youth and searching for his lost son. As his hope drains away and as the city outside his doors changes beyond all recognition, Odonato’s flesh becomes transparent and his body increasingly weightless. A captivating blend of magical realism, scathing political satire, tender comedy, and literary experimentation, Transparent City offers a gripping and joyful portrait of urban Africa quite unlike any before yet published in English, and places Ondjaki, indisputably, among the continent’s most accomplished writers.

***

The Day-Breakers by Michael Fraser and UNMET by stephanie roberts, both designed by Ingrid Paulson.

Poetry

UNMET by stephanie roberts

Leaning deliberately on the imagined while scrutinizing reality and hoping for the as-yet-unseen, UNMET explores frustration, justice, and thwarted rescue from a perspective that is Black-Latinx, Canadian, immigrant, and female. Drawing on a wide range of poetics, from Wallace Stevens to Diane Seuss, roberts’s musically-driven narrative surrealism confronts such timely issues as police brutality, respectability politics, intimate partner violence, and ecological crisis, and considers the might-have-been alongside the what-could-be, negotiating with the past without losing hope for the future.

The Day-Breakers by Michael Fraser

“It is not wise to waste the life / Against a stubborn will. / Yet would we die as some have done. / Beating a way for the rising sun wrote Arna Bontemps. In The Day-Breakers, poet Michael Fraser imagines the selflessness of Black soldiers who fought for the Union during the American Civil War, of whom hundreds were African-Canadian, fighting for the freedom of their brethren and the dawning of a new day. Brilliantly capturing the rhythms of their voices and the era in which they lived and fought, Fraser’s The Day-Breakers is an homage to their sacrifice and an unforgettable act of reclamation: the restoration of a language, and a powerful new perspective on Black history and experience.

***

1934 by Heidi LM Jacobs, designed by Michel Vrana; Baldwin, Styron, and Me by Mélikah Abdelmoumen (trans. Catherine Khordoc), designed by Ingrid Paulson; and The Utopian Generation by Pepetela (trans. David Brookshaw), designed by Zoe Norvell.

Other reads for Black History Month

1934: The Chatham Coloured All-Stars’ Barrier-Breaking Year by Heidi LM Jacobs

The pride of Chatham’s East End, the Coloured All-Stars broke the colour barrier in baseball more than a decade before Jackie Robinson did the same in the Major Leagues. Fielding a team of the best Black baseball players from across southwestern Ontario and Michigan, theirs is a story that could only have happened in this particular time and place: during the depths of the Great Depression, in a small industrial town a short distance from the American border, home to one of the most vibrant Black communities in Canada. Drawing heavily on scrapbooks, newspaper accounts, and oral histories from members of the team and their families, 1934: The Chatham Coloured All-Stars’ Barrier-Breaking Year shines a light on a largely overlooked chapter of Black baseball. But more than this, 1934 is the story of one group of men who fought for the respect that was too often denied them. Rich in detail, full of the sounds and textures of a time long past, 1934 introduces the All-Stars’ unforgettable players and captures their winning season, so that it almost feels like you’re sitting there in Stirling Park’s grandstands, cheering on the team from Chatham.

Baldwin, Styron, and Me by Mélikah Abdelmoumen (trans. Catherine Khordoc)

In 1961, James Baldwin spent several months in William Styron’s guest house. The two wrote during the day, then spent evenings confiding in each other and talking about race in America. During one of those conversations, Baldwin is said to have convinced his friend to write, in first person, the story of the 1831 slave rebellion led by Nat Turner. The Confessions of Nat Turner was published to critical acclaim, winning the Pulitzer Prize in 1968, and also creating outrage in part of the African American community.

Decades later, the controversy around cultural appropriation, identity, and the rights and responsibilities of the writer still resonates. In Baldwin, Styron, and Me, Mélikah Abdelmoumen considers the writers’ surprising yet vital friendship from her standpoint as a racialized woman torn by the often unidimensional versions of her identity put forth by today’s politics and media. Considering questions of identity, race, equity, and the often contentious public debates about these topics, Abdelmoumen works to create a space where the answers are found by first learning how to listen—even in disagreement.

The Utopian Generation by Pepetela (trans. David Brookshaw)

Lisbon 1961. Aware that the secret police are watching them, four young Angolans discuss their plans for a utopian homeland free from Portuguese rule. When war breaks out, they flee to France and must decide whether they will return home to join the fight. Two remain in exile and two return to Angola to become guerilla fighters, barely escaping capture over the course of the brutal fourteen-year war. Reunited in the capital of Luanda, the old friends face independence with their confidence shaken and struggle to build a new society free of the corruption and violence of colonial rule.

Pepetela, a former revolutionary guerilla fighter and Angolan government minister, is the author of more than twenty novels that have won prizes in Africa, Europe, and South America. The Utopian Generation is widely considered in the Portuguese-speaking world an essential novel of African decolonization—and is now available in English translation for the first time.

***

A Note on Question Authority by Mark Kingwell

Reader, if you’re like me, you’re probably trying to make sense, whether via the reading of entrails or essays, of the Trump and Musk train wreck and all it entails. Lest our American readers fear I’m throwing stones—and based on what we know of this substack, we have more American readers than Canadian ones—we are in the middle of something that may prove as worrisome here. (Please see last week’s Bibliophile for further insight.) Though we’ve been posting the Bibliophile on Substack for the better part of four months, I’ve only started personally using it in the last few days, devouring essays and insights by the likes of Anne Applebaum, Timothy Snyder, Paul Wells, David Moscrop, Nora Loreto, Paul Krugman, and many others: whatever else may separate these writers from one another, however they may differ on the root cause of what ails us, what they all seem to agree on is that we’re, on both sides of the 49th, in a whole mess of shit.

But despite the overwhelmingly varied offerings of Substack, not everything worth reading can be found here. When it comes to outlining the first causes for our current predicament, I still find that one of the best things I’ve read in recent memory comes via . . . a book. Mark Kingwell’s Question Authority: A Polemic About Trust in Five Meditations, which published in the US this past Tuesday, offers, for my money, one of the most intelligent analyses of what underpins our division and discord: we are, all of us, Kingwell argues, on the left and on the right, too often animated by an unshakeable belief in our personal righteousness and superiority, or what Kingwell calls doxaholism: an addiction to conviction.

Question Authority by Mark Kingwell (cover by Michel Vrana). Pictured here in Biblioasis Bookshop.

Evidence of this addiction is everywhere: around the family dinner table as much as in the partisan jibes of Trump or Trudeau or Poilievre: it makes real thought, conversation, and the trust essential to finding solutions to the real problems we face impossible. Our addiction to conviction undermines our faith in essential institutions and one another; it lubricates our descent into a range of defeating particularisms that make us even more vulnerable to manipulation. And there are those currently in power, or on the cusp of it, who’ve been very adept at this manipulation.

But this is not all that Kingwell offers: in addition to his diagnosis, he suggests an antidote, or at the very least the beginning of one, what he calls compassionate skepticism. Rather than retreating further into the particularisms of identity or grievance, Kingwell argues that we need to recentre ourselves with humility, into what he calls the ethical habit of “constructive disbelief governed by (an) awareness of our shared vulnerability.” If the past months have shown us anything, surely, it’s that we are all increasingly vulnerable, even if unequally so, to matters well outside our control: it’s in an acknowledgment of this truth that we’ll find strength.

Speaking of David Moscrop, he did an excellent interview with Mark for the Jacobin a couple of months ago about Mark’s new book: you can read it here. And find Mark’s book wherever it is you go for such things.

Dan Wells,
Publisher

***

In good publicity news:

Media Hits: THE NOTEBOOK, OLD ROMANTICS, CHRISTMAS GHOST STORIES, and more!

IN THE NEWS!

THE NOTEBOOK

The Notebook by Roland Allen (Sep 3, 2024) was included in the New Yorker‘s list of “The Best Books of 2024!” The list was published online on December 4, and is available to read here.

The Notebook was also included in the Globe and Mail‘s “Holiday Books Gift Guide for 2024!” The listed was posted online on December 6, and you can check it out here.

Nathalie Atkinson writes,

“[Allen] charts the evolution of notebooks as a repository for thought and follows the crucial role logbooks, diaries and journals have played in humanity’s development.”

Ryan Holiday featured The Notebook in his list of “The (Very) Best Books I Read In 2024.” The list was posted on December 8, and you can read it here.

Holiday calls it,

“[A] lovely book about one of the most transformative pieces of technology ever invented.”

Grab The Notebook here!

OLD ROMANTICS

Old Romantics by Maggie Armstrong (Apr 1, 2025) was featured in the Irish Independent on December 4 for the article, “Novels not to be missed,” available to read here.

Aingeala Flannery wrote,

“A dazzling snapshot of Dublin in the early 21st century, full of wry social observation . . . it will appeal to anyone who likes clever, modern, writing about womanhood.”

Preorder Old Romantics here!

QUESTION AUTHORITY

Mark Kingwell, author of Question Authority (Nov 5, 2024), was interviewed by Deborah Dundas in the Toronto Star. The interview was published online on December 7, and you can read it here.

Get Question Authority here!

SETH’S CHRISTMAS GHOST STORIES

Seth’s Christmas Ghost Stories 2024 (Oct 29, 2024) were reviewed in Cemetery Dance. The review was published online on December 4, and you can read it in full here.

Blu Gilliand writes,

“It’s become a favorite December tradition for me—reviewing the new set of Seth’s Christmas Ghost Stories as delivered to my stocking each year by the fine folks at Biblioasis. This year’s package contains tales of dread that will raise goosebumps on your arms faster than the coldest winter wind . . . These stocking-sized one-sit reads really are a great way to spend those quiet moments when you can find them among the holiday craziness.”

Grab all three 2024 Christmas Ghost Stories here!

THE PAGES OF THE SEA

The Pages of the Sea by Anne Hawk (Sep 17, 2024) was listed as a Guardian Best Fiction Book of 2024. The article was published on December 7, and you can read it here.

Justine Jordan writes,

“This fresh perspective on the Windrush generation uses dialect to convey [a] young child’s thoughts with vivid immediacy.”

Grab The Pages of the Sea here!

CROSSES IN THE SKY

Crosses in the Sky by Mark Bourrie (May 21, 2024)was featured in the Toronto Star on December 4, for Heather Mallick’s “Five of my best reads of 2024.” Check it out here!

Mallick writes,

“Canada’s greatest historian has done it for a third time, stripping the carcass of Canadian history and leaving readers horrified, riveted, in shock . . . A triumph.”

Get Crosses in the Sky here!

SORRY ABOUT THE FIRE

Sorry About the Fire by Colleen Coco Collins (Apr 2, 2024) was included in the California Review of Books’ “31 Outstanding Poetry Books from 2024,” which you can view here.

David Starkey writes,

“Readers interested in entering [Collins’s] manically creative world must be prepared to relinquish their preconceptions of how words and sentences ought to be linked together.”

Get Sorry About the Fire here!

The Bibliophile: Conviction Addiction

Mark Kingwell on compassionate skepticism and the project of justice

I’ve been reading Mark Kingwell since a beloved customer brought a laundry basket of books to my newly opened bookstore in 1998, on the top of which was a signed copy of In Pursuit of Happiness. I read everything by Mark thereafter, and when I started running a literary festival he was among the first authors I invited. When, a few years later, I thought about putting out a shingle as a publisher, I wrote to him about starting a pamphlet series; he was polite in declining, though when I approached him with a similar idea during the pandemic, he helped get the Field Note series started. Working with him, as I have now on seven books, including his just-launched (in Canada; the US pub date is February 11) Question Authority: A Polemic about Trust in Five Meditations, has been both one of the biggest honours and challenges of my professional and intellectual life, in part because his writing has challenged me to rethink (and then rethink again) my assumptions; even if I had not published Question Authority I would have argued that it is his most urgent and essential book in decades, perhaps since the publication of The World We Want. After the election result in the US, and knowing what this could mean for the forthcoming one in Canada, it has become more so.

Left: Mark Kingwell signing books at Bookfest Windsor, 2002. Right: Mark reading at the Capitol Theatre.

In Question Authority Kingwell returns to the public square of civility and diagnoses the biggest challenge facing democratic ideals as what he calls doxaholism, or the addiction to conviction. This is a nonpartisan ailment, affecting both progressives and conservatives, and Kingwell shows how it makes progress on real issues impossible by making compromise equally so, while also undermining faith in essential institutions across the board. If this analysis was all that the book provided it would be worth reading, but he also posits an antidote, what he terms compassionate skepticism, the virtue or (old Humean that he is) ethical habit deploying “constructive disbelief governed by awareness of our shared vulnerability.” Rather than retreating into a range of particularisms, which have tended to further a doxaholic cycle, Kingwell tries to resuscitate Enlightenment universalism as defined by compassion and humility. He is sanguine about the risks we face, and the difficulties we will experience correcting course, but he is also hopeful that, by risking and being aware of our shared vulnerability, we can begin to let go of our misguided distrust in all things and begin the necessary work of building a more just, wise, and open-minded society.

There is so much more to say about Question Authority, things that may become future Bibliophile entries, but for now we’ll leave you with this brief excerpt about compassionate skepticism and how we can each participate in the project of justice.

Dan Wells,
Publisher

***

Photo: Question Authority: A Polemic about Trust in Five Meditations by Mark Kingwell. Cover designed by Michel Vrana.

An Excerpt from Question Authority

Introduction

The trust question raises a challenge we must issue to ourselves. That challenge is to approach the duties of civic life with a sense of commitment. In this endless blame game, we must ultimately point the finger at ourselves. That means, as I shall argue, a combination of respect for the collective enterprise and a healthy measure of critical assessment of those engaged in it. We have seen a great deal of the latter lately, and not enough of the former. Distrust of authority is not a viable theory of civic identity; it must be balanced with a sense of responsiveness to the needs of others.

I will label the resulting quality, a virtue or ethical habit, compassionate skepticism. I mean by that the deployment of constructive disbelief governed by awareness of shared vulnerability. It counts as a virtue because it is, to use Aristotelian language, a habituated trait of character that is also a disposition to act. To possess such a quality is to act upon its urgings, and vice versa. Cultivating the disposition, fashioning roles and habits that make for its flourishing, is the work of all of us. We live in a time when many of the strongest habits we have are bad—bad for us, bad for others, bad for the environment, bad for politics, bad for everything we care about. But humans are creatures of habit, and breaking harmful ones is hard work.

I will lean heavily on the idea of habit in what follows, in part because trust itself is a matter of good habits, often exhibited against all odds. The remarkable thing about human societies is that they function at all, given all the primitive tendencies working against them. Even at the level of basic cognition, we are far more likely to incline to superstition and misinformation than to execute the hard work of tracking true knowledge and forging a stable rational subject. As the philosopher Dan Williams notes, “lies, conspiracy theories, misinformation, bias, pseudo-science, superstition and so on are not alien perversions of the public sphere.” On the contrary, “[t]hey are the epistemic state of nature that society will revert to in the absence of fragile—and highly contingent—cultural and institutional achievements.”

That contingency is precisely what occupies me in these pages: the sheer unlikelihood and fragility of our social cooperation. Also, per the corollary point, I flag throughout these pages the urgency of avoiding any slide back into a state of nature that is at once epistemic and political. I mean that wasteland of alternative facts and competing rationalities, all fought on a razed battleground that might once have been a rational public sphere, called public life. Make no mistake about this paradox of human existence: there is every reason for people not to be rational. In terms of basic urges and instincts, we have to acknowledge that logical reasoning and truth-seeking do not come naturally to us. They are possibilities of our nature, but not, as it were, the resting state. And yet, our rational capacity has long been considered the best part of ourselves—especially when it is conjoined with the kind of “unselfing” that makes for connection with other people and with ideas beyond self-interest. Reason and emotion are not contraries but partners. Moreover, we sometimes find ourselves precisely in those moments when we seem most alien to ourselves. Only a reflective, textured account can make sense of that common feature of being a person.

Pursuing these lines of thought, gathering the threads, teasing out what we might call the ethico-cognitive potential of consciousness within all the daily dross and distraction, requires the telling of a good story. I mean a story about ourselves and the world, and about how the two fit together. Story is itself so basic to the human mind that we find ourselves unable to experience life without its shapes and tropes. Personal identity, with its attendant burdens of responsibility and choice, is unthinkable without the continuity of narrative. And just as repetition can aid us when we need guidance, so narrative can provide shape to our temporal thrownness. Habit and narrative are closely linked in the project of individual life, in short, as they are in politics understood as shared life. The conjunction both offers and demands good pattern recognition, but it also then demands the recognition of good patterns over bad.

I realize this is all quite abstract—an inevitable feature of doing philosophy even of the applied or practical variety. My hope is that the details of what follows will clarify everything contained in these introductory paragraphs. For now, the best way to answer all these complex (and never-ending) challenges will be to form new habits to replace old, harmful ones—or, more accurately in the present case, to revive and cultivate potential but endangered habits of trust and responsibility. These positive human habits have been comprehensively frayed, by technology’s disconnection-through-connection, by the polarization of public discourse, and by the reduction of everything to a kind of abstracted video game where other people are no longer seen as entirely real. Habits are powerful, but they are not inevitable. The first step is recognizing how they come to take hold of us. The second step is then to challenge them. The third is to execute this program of recovery with better habits—habits of flourishing, including trust in each other and in the institutions we all need to meet the complexities of twenty-first-century life.

 

Left: Mark Kingwell, 1984. Right: Mark Kingwell, 2024.

Authority must be questioned so that it becomes better, not in order to tear down all possible guidelines for living. We need good rules, good games governed by the rules, and better players to play the games—real people, actual citizens, not avatars or handles. Politics is, after all, a very serious game of justification, wherein participants must offer arguments, if sometimes only implicit ones, for why they have something that someone else does not. Unlike many other games, but in common with the best of them, this game allows for winners and losers but also embraces the wisdom that sometimes true achievement lies in the defeat of any need for victory. Thus do we transcend competition to create community and even glory.

Such high-toned sentiments invite immediate skepticism, I realize. Most of us are well versed in skepticism already. It is the dominant habit of the age. Indeed, the restless urge to question everything might be considered the keynote of both modern and postmodern realities: questioning things is what got us here, but it is also what now makes for confusion. Compassion is another story. Its etymology suggests an idea of fellow feeling, or empathy; but there is also a suggestion, with use, of a relevant command—that compassion entails not just recognition of another’s suffering, but a positive duty to relieve it. In this manner, compassionate skepticism may take its place alongside other, more familiar political virtues like reasonableness and civility.

Compassion is that rare thing, a strong feeling with an equally strong rational basis. Its arousal is, in part, a recognition of shared vulnerability. But that recognition also calls forth an ethical and political response, itself a conjunction of feeling and reason. I experience pain at the pain of others; their suffering causes me to suffer. Absent sociopathic deficit, this is the natural order. Kant and other rationalist philosophers remind us that our fellow-travellers on the moral plane are other rational agents—or, at least, we and they wish to be so. One of the things we have learned to accept since Kant’s time is that the class of rational agents may not all be human.

Even more important than this extension of care and regard is a point that Kant tends to discount altogether. He focuses on our rational powers, and hence our responsibilities. But reason is also a burden, and sometimes a weakness in ourselves. Reason can mask the more fragile inwardness of consciousness, that part of ourselves that includes an awareness of both weakness and wonder in the world. Once we know it, we cannot unknow the fact of suffering.

The game is better when all of us have skin in it. Good games beget good players, and good players in turn bolster and maintain the game’s health. The crisis of trust begins at home. What kind of player are you?

***

In good publicity news:

  • The Notebook by Roland Allen was reviewed in the New York Times: “A revealing document of a relationship so intimate as to be sacred: that of the writer and the page.”
  • Near Distance by Hanna Stoltenberg (trans. Wendy H. Gabrielsen) received a starred review from Publishers Weekly: “Stoltenberg debuts with a stunning portrait of a strained mother-daughter relationship . . . It’s a winner.”
  • A Way to Be Happy by Caroline Adderson was reviewed by NPR book critic Kassie Rose in The Longest Chapter: “An impressive collection.”
  • May Our Joy Endure by Kev Lambert (trans. Donald Winkler) was reviewed in the Literary Review of Canada’s Bookworm: “Amanda Perry called the award-winning original, Que notre joie demeure, ‘stylistically adventurous.’ That also rings true for the seamless translation by Donald Winkler, who renders Lambert’s shifting aesthetic modes and formal experimentation with verve.”

Media Hits: THE NOTEBOOK, A WAY TO BE HAPPY, THE PAGES OF THE SEA, and more!

IN THE NEWS

THE NOTEBOOK

The Notebook by Roland Allen (Sep 3, 2024) was reviewed in the New York Times on November 2! The review is available to read online here.

Wilson Wong writes,

“The book is a revealing document of a relationship so intimate as to be sacred: that of the writer and the page. It’s a reminder that note-taking is an act of noticing, of being present and showing up to the blank paper, again and again, and discovering what may arise there.”

Get The Notebook here.

A WAY TO BE HAPPY

A Way to Be Happy by Caroline Adderson (Sep 10, 2024) was reviewed on The Longest Chapter on October 31, and you can read it in full here.

NPR’s Kassie Rose writes,

“It’s difficult to make happiness interesting. Caroline Adderson, however, succeeds with stylish skill. She creates sympathetic characters struggling with inner complexities—what it feels like to be a disappointment, or to not be believed, or to lead a passionless life; always offering, though, an encounter providing a respite from loneliness or isolation.”

Grab A Way to Be Happy here!

THE PAGES OF THE SEA

Anne Hawk, author of The Pages of the Sea (Sep 17, 2024), was interviewed on The Conversation podcast (here) on October 21, and also talked about her debut novel on the Bookspo podcast (here) on October 16.

Grab The Pages of the Sea here!

MAY OUR JOY ENDURE

Kev Lambert, author of May Our Joy Endure (trans. Donald Winkler, Sep 3, 2024), was profiled in the Globe and Mail by Emily Donaldson on October 25! You can read the full feature here.

Donaldson calls Lambert,

“[A] literary wunderkind.”

May Our Joy Endure was also reviewed in the Montreal Review of Books on October 30. Check out the full review here.

Marisa Grizenko writes,

“Like Bruegel and Blais, Lambert uses a large cast of characters to depict society’s complexities. His gaze is oceanic, homing in on individuals and zooming out to the systems within which they operate.”

Get May Our Joy Endure here!

QUESTION AUTHORITY

Mark Kingwell, author of Question Authority (Nov 5, 2024), was interviewed on the Canadaland podcast on October 28. Listen to the full episode here.

Grab Question Authority here!

A CASE OF MATRICIDE

A Case of Matricide by Graeme Macrae Burnet (Nov 12, 2024) was reviewed in the Los Angeles Times as part of their list of “10 books to add to your reading list in November.” The article was published online on November 1, and you can read it here.

Bethanne Patrick writes,

“Burnet’s trilogy concludes with a mystery about what we put up with in mystery narratives . . . It’s smart, quirky and fun.”

Grab A Case of Matricide here!

SETH’S CHRISTMAS GHOST STORIES 2024

Seth’s Christmas Ghost Stories (Oct 29, 2024) were featured on the Total Christmas Podcast on October 26, and you can listed to the segment (starting at 16:00) here.

Host Jack Ford calls the trio,

“Delightful little books . . . it’s something that people that love Christmas might enjoy, reviving that old tradition of Christmas ghost stories.”

Podolo, one of this year’s three stories, was read in full on the Christmas Past Podcast by Brian Earl. You can listen to the full episode here.

Grab all three Seth’s Christmas Ghost Stories here!

Events

Mark Kingwell at the Toronto Public Library

Mark Kingwell will be discussing his new book Question Authority at the Toronto Public Library, in conversation with host Randy Boyagoda.

The event is free, and will take place on Thursday, February 27 at 7PM in the Jack Rabinovitch Reading Room at the Toronto Reference Library.

More details here.

Grab Question Authority here!

ABOUT QUESTION AUTHORITY

Philosopher Mark Kingwell thinks about thinking for yourself in an era of radical know-it-all-ism.

“Question authority,” the popular 1960s slogan commanded. “Think for yourself.” But what started as a counter-cultural catchphrase, playful in logic but serious in intent, has become a practical paradox. Yesterday’s social critics are the tone-policing tyrants of today, while those who claim “colourblindness” see no need to engage with critical theory at all. The resulting crisis of authority, made worse by rival political factions and chaotic public discourse, has exposed cracks in every facet of shared social life. Politics, academia, journalism, medicine, religion, science—every kind of institutional claim is now routinely subject to objection, investigation, and outright disbelief. A recurring feature of this comprehensive distrust of authority is the firm, often unshakeable, belief in personal righteousness and superiority: what Mark Kingwell calls our “addiction to conviction.”

In this critical survey of the predicament of contemporary authority, Kingwell draws on philosophical argument, personal reflection, and details from the headlines in an attempt to reclaim the democratic spirit of questioning authority and thinking for oneself. Defending a program of compassionate skepticism, Question Authority is a fascinating survey of the role of individual humility in public life and illuminates how we might each do our part in the infinite project of justice.

ABOUT MARK KINGWELL

Mark Kingwell is a professor of philosophy at the University of Toronto, a fellow of the Royal Society of Canada, and a contributing editor of Harper’s Magazine.