VILLA NEGATIVA and SMITHEREENS Virtual Double Launch Video

We had a wonderful time last night celebrating the double poetry launch of Sharon McCartney’s Villa Negativa, as well as Terence Young’s Smithereens from Harbour Publishing! The two authors each read from their books, and had a lively discussion, before finishing the event with an audience Q&A and giveaway.

And if you missed it, don’t worry! You can still watch the video here:

Order your copy of Villa Negativa by Sharon McCartney here.

Visit Harbour Publishing’s site to learn more about Smithereens by Terence Young here.

ABOUT VILLA NEGATIVA

The anticipated seventh collection of poetry from the celebrated Canadian poet.

How can we know who we are when we can never step away from ourselves? Villa Negativa posits that we can only know what we are not and explores that conundrum against the backdrop of a sibling’s illness and death, an eating disorder and a couple of really dismal dating relationships. Though it could be sombre territory, Villa Negativa looks for the laughter behind the darkness: the housebreaker who takes off her shoes first, the fabricator whose most intimate relationship is with fibreglass, the anorexic who sends the Diet Coke back because it tastes too good.

ABOUT SMITHEREENS

In Smithereens, Terence Young ranges widely among forms, subjects, tones and moods, invoking the domestic world of family and home, as well as the associated realms of work and play. He describes the simple pleasure of losing one’s bearings and seeing the world anew in “Tender is the Night,” and in “The Bear” he records the near-magical appearance at a summer cabin of a creature that hasn’t been seen in the area in over fifty years. The ironic benefits of a house fire, the late-night sounds of a downtown alley, the smells of a summer morning in the Gulf islands—all of these serve as vehicles for reminiscence, meditation and humour. Elsewhere in the collection, he summons an elegiac mood, remembering in poems like “Surcease,” “Fern Island Candle,” “The Morning Mike Dies,” and “Gary” some of the friends who have left his world. More than any of his previous books, though, Smithereens features poems that are playful, in which language is often associative, surprising and fun. It is a collection that will reward readers, whatever their temperament upon picking it up, and it will also invite them to return to its pages again and again.

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