End of November: Major Media Round-Up!

IN THE NEWS!

GLOBE 100 BEST BOOKS OF THE YEAR

On November 29, The Globe and Mail announced the ‘Globe 100’, their 100 best books of the year. We are delighted to have three Biblioasis titles included this year, Doireann Ní Ghríofa’s A Ghost in the Throat (June 1, 2021), Marcello Di Cintio’s Driven (May 4, 2021), and Rinaldo Walcott’s On Property (February 2, 2021)! You can view the whole list here.

Order On Property here!

Order Driven here!

Order A Ghost in the Throat here!

Foregone cover

 

FOREGONE

Foregone by Russell Banks (March 16, 2021) has been listed by Kirkus as a Best Fiction Book of the Year!  The list was published on November 15, and can be found on their website here.

Kirkus had originally reviewed the book on March 2, 2021 saying that the book was:

“a challenging, risk-taking work marked by a wry and compassionate intelligence.”

Order your copy of Foregone here!

 

THINGS ARE AGAINST US

Lucy Ellmann’s Things Are Against Us (September 28, 2021), has been included in the ‘Best Gift Books to Give 2021’ by the Chicago Tribune! The guide was published on November 24. You can view the whole guide here.

Christopher Borrelli says:

“[Lucy’s] working in a tone familiar to lovers of E.B. White and Norah Ephron—knowing, funny, exhausted. Subjects include the patriarchy, staying home and underwear (“Bras: A Life Sentence”).”

Order your copy of Things Are Against Us here!

 

coverMUSIC, LATE AND SOON

Music, Late and Soon (August 24, 2021) by Robyn Sarah has been included on the CBC Books ’20 books for the music lover on your holiday shopping list.’ The list was published online on November 29. See the full list here

Sarah was also recently named a finalist for The Mavis Gallant Prize for Non-Fiction. The following statement was provided by the jurors: 

“Sarah splices the narrative of her belated return to piano lessons with memories of her development as a promising professional musician. Sarah understates her musical talent but the facts speak for themselves. At twenty-four, however … she abandoned music as a profession to become a poet and literary editor.

Sarah calls her book “a musical autobiography” but it is far more than that. It is a deeply intimate exploration of the artistic process by a writer of remarkable maturity and poise.  

Unfailingly, her prose remains centred, rooted in humility, never drawing attention to itself. Her every word feels thoughtful, honest, and true. With this book, Sarah demonstrates that a life pursued artistically, when done so with sincerity and integrity, is a life lived spiritually, no matter what the discipline. Concert halls might be poorer for her career choice, but the literary world can count itself richly blessed.”

Order your copy of Music, Late and Soon here!

 

CHEMICAL VALLEY

Chemical Valley by David Huebert (October 19, 2021) has been reviewed in Atlantic Books! The review was published today on November 15, and can be read on their website here.

Reviewer Chris Benjamin said,

“Huebert is a gifted short story writer. His characters do contain multitudes, each story a set of worlds. Collectively, they reflect our times, and help us contemplate the most dire of threats to our singular habitable planet.”

David Huebert was interviewed on the @Risk Podcast! The episode was posted on November 18, and can be listened to here.

David Huebert was also interviewed about Chemical Valley (October 19, 2021) by Keri Ferguson in Western News! The interview was posted on November 25. You can read it here.

Order your copy of Chemical Valley here!

 

A GHOST IN THE THROAT

On November 22, it was announced that Doireann Ní Ghríofa’s A Ghost in the Throat (June 1, 2021) is a New York Times Book Review Notable Book of 2021! You can view the whole list here.

Reviewer Nina MacLaughlin said,

“This book comes from the body, from the ‘entwining strands of female voices that were carried in female bodies.’ The sound of the female voice, the aural texture of A Ghost in the Throat, is part of its deep pleasure.”

It was also announced on November 22 that A Ghost in the Throat is a Kirkus Best Book of 2021! You can view the whole list here

The original starred review reads,

“Lyrical prose passages and moving introspection abound in this unique and beautiful book.”

The NPR Books We Love list (formerly Books Concierge) was announced on November 24, and both Doireann Ní Ghríofa’s A Ghost in the Throat (June 1, 2021) and Mia Couto’s Sea Loves Me (February 23, 2021) are included! You can view the whole list here

Ann Powers says of A Ghost in the Throat,

Intensely poetic and freewheeling and connecting the bodily details of mothering and erotic love – “female texts” – to linguistic hierarchies and erasures, this book creates its own form: a critical biography of the body, of bloodshed and babies born, of the word made flesh.”

Order your copy of A Ghost in the Throat here!

 

SEA LOVES ME

Mia Couto’s Sea Loves Me (February 23, 2021) was also included on the NPR Books We Love list from November 24! You can view the whole list here

Thúy Ðinh says of Sea Loves Me,

“As with his natural affinity toward cats, Couto’s stories — deftly translated by David Brookshaw and Eric M.B. Becker — represent graceful attempts to transcend barriers between the colonizer and colonized, native and settler, human and animal, matter and antimatter.”

Order your copy of Sea Loves Me here!

 

CHRISTMAS GHOST STORIES 2021

Seth, the designer and illustrator for Biblioasis’ Christmas Ghost Stories (October 26, 2021) was interviewed on CTV Kitchener! The interview aired on November 24. You can watch it here (beginning at 21:35). 

The Doll’s Ghost by F. Marion Crawford from Christmas Ghost Stories (October 26, 2021) was featured in a reading on the Christmas Past podcast! The episode was posted on November 26. You can listen to it on their website here

Host Brian Earl said,

The great thing about each passing season is the chance to discover something new that may go on to become a new favourite. That old and largely forgotten tradition of Christmas ghost stories is fertile ground for anyone digging for a spooky festive treat from a bygone time.

Christmas Ghost Stories (October 26, 2021) was also reviewed on the Total Christmas Podcast! The episode was posted on November 21. You can listen to it on their website here (review starts at 34:00). 

Host Jack Ford said,

“These books are just delightful … and the illustrations are just—shall I say delightful again?”

Order the Christmas Ghost Stories 2021 bundle here!

 

BEST CANADIAN 2021 SERIES

The Best Canadian 2021 Series has received a great review in the Toronto Star by Steven Beattie. The review was published online on November 26. You can read the review here

Beattie writes,

“All three of these volumes have much to recommend, though the stylistic virtuosity on display in Best Canadian Stories 2021 testifies most explicitly to a range of writing being produced right now. But it is Thammavongsa’s poetry selection that provides the most startling and memorable moment. David Romanda’s poem “We Really Like Your Writing” manages something in five short lines that few of the other writers in any of these anthologies even attempt: it makes its reader laugh out loud. And that has to qualify as one of the best outcomes from a year of uncertainty, trouble, and strife.”

Order the Best Canadian 2021 Series bundle here!

 

Spotlight On: BLUE FIELD by ELISE LEVINE

Welcome back to Biblioasis’ Spotlight series! For the month of December, we’ve chosen to feature Elise Levine’s claustrophobic and visceral novel Blue Field (April 11, 2017).

BLUE FIELD

When her friend Jane dies while exploring an underwater cave with her husband Rand, Marilyn takes up diving again, to honour—and outdo—her late friend. Marilyn drags Rand with her as she increasingly pushes herself far past her limits and skill level, endangering them both in their private underwater version of hell.

More than two decades after the release of her sensational, critically acclaimed collection Driving Men MadBlue Field marks Elise Levine’s much anticipated return to form.

Elise Levine’s Say This: Two Novellas is forthcoming in March 2022. She is also the author of the recent story collection This Wicked Tongue, the novels Blue Field and Requests and Dedications, and the story collection Driving Men Mad. Her work has appeared in publications including PloughsharesBlackbirdThe Gettysburg Review, and has appeared four times in Best Canadian Stories. She lives in Baltimore, MD, and teaches in the MA in Writing program at Johns Hopkins University.

 

A WORD FROM THE AUTHOR

On New Work

Who gets to say? What’s it like to begin—to even just begin to begin—thinking and living in terms of your own story, and not the one handed to you? What desires might you inhabit if you were free to own those desires?

These are the questions that animate Say This: Two Novellas, due out in Spring 2022.

Here’s a little more about how the book goes, which also asks, What do we owe each other?

A celebrity journalist hopes Eva will tell him everything about the sexual affair she had as a teen with her older cousin, a man now in federal prison for murder. Thirteen years earlier, Lenore-May answers the phone to the nightmare news that her stepson’s body has been found near Mount Hood, and homicide is suspected.

I think of the book as a set of portraits that speak to one another. There’s the portrait of Eva’s unsettling ambivalence towards her confusing relationship. And the portrait of her cousin’s victim through a collage of the perspectives of the slain man’s family—and a portrait as well of their various lives, filtered through the lens of grief and joy and love.

Writing a book is like taking a sustained flying leap. You get an idea, a sense of character, circumstance. So many questions. The obsessive desire to follow where they lead. And off you go, hoping for the best. Hoping in the end that you’ve sufficiently looked your characters’ complexities in the face to accord them the freedom to rise and meet their self-determined fates.

Now that Say This is close to landing—in book form, that is—I’m kiting similar questions about desire and identity in new work I hope takes off and catches the light and reflects new angles.

It’s early stages, but here’s what’s on my mind.

GIANT: Stories. Nine stories, in fact. About ambition, will, self-creation—and their discontents. Stories about brazenly going off the rails. Stories that might go off the rails. That might have a blast.

You can find the first story, “Arnhem”, in Best Canadian Stories 2021. Maybe you’ll look it up?

Elise

 

Get your copy of Blue Field here!

Pre-order Say This here!

And why not check out Elise Levine’s other fantastic titles here?

BEST CANADIAN 2021 SERIES Virtual Launch Video

“The legacy of this series is massive … a literary institution.” —Ottawa Citizen

Last night we celebrated the virtual launch of the 2021 Best Canadian Series! The event kicked off with a discussion and Q&A between publisher Dan Wells and editors Bruce Whiteman, Diane Schoemperlen, and Souvankham Thammavongsa. This was followed by selected readings by contributors from each anthology: Eva-Lynn Jagoe from Essays, David Romanda from Poetry, and Metcalf-Rooke Award-winner Colette Maitland from Stories. The night finished off with a series giveaway.

And even if you missed the live event, you can still watch here!

ABOUT BRUCE WHITEMAN

Bruce Whiteman is a poet, translator, culture historian, and book reviewer. His reviews appear regularly in Canadian Notes & Queries, The Hudson Review, and elsewhere. Recent poetry collections include Intimate Letters (2014), Tablature (2015), and The Sad Mechanic Exercise (2019). His translation of Fanny Daubigny’s study Proust in Black: Los Angeles: A Proustian Fiction was published in 2019.

ABOUT DIANE SCHOEMPERLEN

Born and raised in Thunder Bay, Ontario, Diane Schoemperlen has published several collections of short fiction and three novels, In the Language of Love (1994), Our Lady of the Lost and Found (2001), and At A Loss For Words (2008). Her 1990 collection, The Man of My Dreams, was shortlisted for both the Governor General’s Award and the Trillium. Her collection, Forms of Devotion: Stories and Pictures won the 1998 Governor General’s Award for English Fiction. In 2008, she received the Marian Engel Award from the Writers’ Trust of Canada. In 2012, she was Writer-in-Residence at Queen’s University. She lives in Kingston, Ontario.

ABOUT SOUVANKHAM THAMMAVONGSA

Souvankham Thammavongsa is the author of five books: Small Arguments (2003), winner of the ReLit Prize; Found (2007), now a short film; Light (2013), winner of the Trillium Book Award for Poetry; Cluster (2019); and the short story collection How to Pronounce Knife (2020), winner of the Scotiabank Giller Prize and a New York Times Editors’ Choice. She has been in residence at Yaddo and has presented her work at the Guggenheim Museum in New York.

 

Order your copy of Best Canadian Poetry here!

Order your copy of Best Canadian Stories here!

Order your copy of Best Canadian Essays here!

Get the Best Canadian 2021 Bundle here!

ROMANTIC Virtual Launch Video

Last night we celebrated the virtual launch of Mark Callanan’s new poetry collection, Romantic (October 12, 2021)! Mark Callanan had a wonderful discussion with fellow poet Luke Hathaway, who showed up dressed in shining armor for the event! The reading was followed by an audience Q&A, and a successful book giveaway!

And if you missed the live launch, you can still check it out below!

 

ABOUT ROMANTIC

Drawing on Arthurian myth, the Romantic poets, the ill-fated “Great War” efforts of the Newfoundland Regiment, modern parenthood, 16-bit video games, and Major League Baseball, these poems examine the stories we tell ourselves about ourselves, both as individuals and as communities, in order to explain how and why we are the way we are. At its heart, Romantic interrogates our western society’s idealized, self-deluding personal and cultural perspectives.

ABOUT MARK CALLANAN

Mark Callanan is the author of two previous poetry collections. He was one of the founding editors of the St. John’s, Newfoundland-based literary journal Riddle Fence and co-edited The Breakwater Book of Contemporary Newfoundland Poetry. He lives in St. John’s with his wife, poet and critic Andreae Callanan, and their four children.

 

Get your copy of Romantic from Biblioasis here!

Bookselling & Political Action: Event Video

Last night we held a fascinating discussion between booksellers and writers, Danny Caine (How To Resist Amazon and Why) and Josh Cook (The Least We Can Do)! The event was coordinated with The Raven Bookstore. Afterward, there was an audience Q&A and a chance to win copies of both books!

If you didn’t catch the event live, no worries! You can still watch it below:

ABOUT THE LEAST WE CAN DO

In celebration of Independent Bookstore Day 2021, we’re proud to present Josh Cook’s The Least We Can Do!

Like most of our cultural institutions, bookshops and the booksellers who run them have worked hard the last few years to respond to political and social issues in our society. They’ve formed committees and hosted panels, held training sessions and had difficult conversations in both their private and professional lives. Yet books by White supremacists, fascists, misogynists, and other dangerous ideologues are bought and sold in independent bookshops across North America every day. What are the economic, social, and moral consequences of stocking and selling these titles? In The Least We Can Do, Josh Cook, bookseller at Porter Square Books in Cambridge, Massachusetts, takes up these questions and more, embarking on an urgent and insightful reckoning with critical issues around freedom of expression, public discourse, industry ethics, and moral culpability.

The first in a new series of pamphlets to be published by booksellers, for booksellers and those invested in bookstores and book culture, The Least We Can Do is a call to action and the beginning of an essential conversation.

ABOUT JOSH COOK

Josh Cook is a bookseller at Porter Square Books in Cambridge, Massachusetts, where he has worked since 2004. He is also author of the critically acclaimed postmodern detective novel An Exaggerated Murder and his fiction, criticism, and poetry have appeared in numerous leading literary publications. He grew up in Lewiston, Maine and lives in Somerville, Massachusetts.

ABOUT HOW TO RESIST AMAZON AND WHY

When a company’s workers are literally dying on the job, when their business model relies on preying on local businesses and even their own companies, when their CEO is literally the richest person in the world while their workers make minimum wage with impossible quotas … wouldn’t you want to resist? Danny Caine, owner of Raven Book Store in Lawrence, Kansas compiled this zine about his commitment to fighting the seemingly impossible giant in the bookselling world: Amazon. This zine includes the open letter he wrote to Jeff Bezos, examples of successful social media activism that produced waves of successful economic solidarity for local bookstores, links to other resources, and some sobering words about boycotting. Let this zine inspire you to support independents and stand up to the biggest threats facing our society!

ABOUT DANNY CAINE

Danny Caine is the author of the poetry collections Continental Breakfast, El Dorado Freddy’s, and Flavortown, as well as the book How to Resist Amazon and Why. His poetry has appeared in LitHub, DIAGRAM, Hobart, and Barrelhouse, and his prose has appeared in LitHub and Publishers Weekly. The Midwest Independent Booksellers Association awarded him the 2019 Midwest Bookseller of the Year award. He lives in Lawrence, Kansas where he owns Raven Book Store.

 

Order The Least We Can Do from Biblioasis here!

Order How to Resist Amazon and Why from The Raven Bookstore here!

Spotlight On: ALL SAINTS by K.D. MILLER

Welcome to Biblioasis’ Spotlight series, a new monthly feature highlighting our brilliant backlist titles! This also includes a brief word from the authors themselves on their past work, an update on what they’re up to now, or thoughts on future projects. Our featured title for November is the short story collection All Saints (April 15, 2014) by K.D. Miller.

 

ALL SAINTS

Shortlisted for the 2014 Rogers Writers’ Trust Fiction Prize
Longlisted for the 2014 Frank O’Connor Award

In a linked collection that presents the secret small tragedies of an Anglican congregation struggling to survive, All Saints (April 15, 2014) delves into the life of Simon, the Reverend, and the lives of his parishioners: Miss Alice Vipond, a refined and elderly schoolteacher, incarcerated for a horrendous crime; a woman driven to extreme anxiety by an affair she cannot end; a receptionist, and her act of improbable generosity; a writer making peace with her divorce. Effortlessly written and candidly observed, All Saints is a moving collection of tremendous skill, whose intersecting stories illuminate the tenacity and vulnerability of modern-day believers.

K.D. Miller is the author of two previous short story collections, Give me Your Answer and Litany on a Time of Plague, and an essay collection, Holy Writ. Her work has twice been collected in The Journey Prize Anthology and Best Canadian Stories, and she has been nominated for a National Magazine Award for Fiction. She lives and writes in Toronto.

 

A WORD FROM THE AUTHOR

On Alice Drive by K.D. Miller

Out my study window, I can just catch sight of a little street called Edith Drive. I frequently incorporate Edith Drive into my daily walk. I have tried, and failed, to find out who Edith was and why these two short blocks are named after her. And several years ago, I spent a good part of New Year’s Eve watching half of one of Edith Drive’s semi-detached houses burn. The adjoining house came out of it unscathed and still habitable, while the one that caught fire was a blackened shell for two years or more.

I can’t remember exactly when Edith became Alice in my imagination, or Alice Drive the working title of what I hope will be my next collection of stories. But the neighbourhood is growing as more and more characters move in.

I have published four collections of linked short stories. In each case, I have come to regard the characters as imaginary friends—a community I work with and get to know and miss, once the manuscript is in my publisher’s hands. Any writer will tell you that a fictional character has a life of their own, and exercises more than a bit of control over what happens to them.

Whenever I’m working on a collection, there comes a moment when someone playing a minor role in one story convinces me that they deserve to star in a narrative all their own. In All Saints, for example, Gail, a church receptionist who is briefly mentioned in “Still Dark,” takes centre stage in “Spare Change,” demonstrating that there is more to her than typing, filing and picking up an office phone.

Characters don’t just migrate from story to story, either, but from book to book. I was pleased to welcome Kelly into two of the stories in All Saints, twenty years after she made her debut in my first collection, A Litany in Time of Plague. It was fun to find out what she had been up to, and what was going to happen next. Right now, as I’m working on the title story of Alice Drive, I’m getting reacquainted with Pete Aspinall. Pete had a brief mention in All Saints’ “October Song,” then a major supporting role in the same collection’s “Heroes.” A lot has happened in seven years. He retired from teaching, moved into a house on Alice Drive, met René, the love of his life, and is now mourning René’s untimely death. Add to that the fact that his house seems to be haunted …

But I’ll let Pete tell you his own story. Once he’s finished telling it to me.

 

Get your copy of All Saints from Biblioasis here!

And why not check out K.D. Miller’s other fantastic titles here?

 

THE SINGING FOREST Virtual Launch Video

Last night we celebrated the launch of Judith McCormack’s The Singing Forest (September 21 2021)! Judith was joined by criminal lawyer Frank Addario, and author and Judge Maryka Omatsu, for a fascinating discussion and engaging audience Q&A. Afterward, there was a giveaway for the book.

And if you weren’t able to make the live event, you can still watch it below!

ABOUT THE SINGING FOREST

In a quiet forest in Belarus, two boys make a gruesome find that reveals a long-kept secret: the mass grave where Stalin’s police buried thousands of murder victims in the 1930s. The results of the subsequent investigation—30,000 dead—has far-reaching effects, and across the Atlantic in Toronto, young lawyer Leah Jarvis finds herself tasked with an impossible case: the trial of elderly Stefan Drozd, a former member of Stalin’s forces, who fled his crimes in Kurapaty for a new identity in Canada. Though Leah is convinced of Drozd’s guilt, she needs hard facts. Determined to bring him to justice, she travels to Belarus in search of witnesses—and finds herself piecing together another set of evidence: her mother’s death, her father’s absence, the shadows of her Jewish heritage. Lyrical and wrenching by turns, The Singing Forest is a profound investigation of memory, truth, and the stories that tell us who we are.

ABOUT JUDITH MCCORMACK

Judith McCormack was born in Evanston, and grew up in Toronto, with several years in Montreal and Vancouver. She is Jewish through her mother, and her maternal grandparents came from Belarus and Lithuania, with her father contributing his Scots-Irish heritage. Her writing has been shortlisted for the Writers’ Trust Fiction Prize, the Commonwealth Writers’ Fiction Prize, the Journey Prize and the Amazon First Novel Award, and her short stories have appeared in the Harvard Review, Descant, The Fiddlehead, Coming Attractions and Best Canadian Stories. She also has several law degrees, which first introduced her to story-telling, and is a recipient of the Law Society Medal and The Guthrie Award for access to justice.

Order from Biblioasis here!

 

Elaine Dewar: Who’s Afraid of Angela Rasmussen?

The following is a response from Elaine Dewar to Dr. Angela Rasmussen, regarding her recent appearances on Canadaland and The John Gormley Show.

Once upon a time, scientists explained their findings and opinions in peer-reviewed journals or in carefully worded lectures delivered at scientific meetings. Now science moves at internet speed and Twitter has taken the place of learned societies as a favored forum. In the white hot propaganda war over the origin of SARS-CoV-2, scientists on opposing sides of the lab-leak versus nature debate have taken to Twitter like penguins in search of lunch in Antarctica’s waters. On Twitter, they heave nasty adjectives at their opponents with all the subtlety and care of the late Rush Limbaugh. Recently, a virologist named Angela Rasmussen (who claims over 200,000 Twitter followers), formerly of Columbia University’s Mailman School of Public Health, and now with the University of Saskatchewan’s Vaccine and Infectious Disease Organization, threw certain adjectives at me. I had been a guest on a Canadaland podcast explaining the findings of my new book, On the Origin of the Deadliest Pandemic in 100 Years, to Jesse Brown. Ms. Rasmussen, who, since the pandemic began, has turned into a one-woman defender of globalized virological science on as many TV shows, newscasts, magazines, newspapers willing to quote her (see her cv) got herself invited to the Canadaland podcast to denounce my book and her version of the main theory it propounds.

I don’t normally fuss over critiques of my published work. Journalists who throw stones are used to stones being thrown back and a good critique improves the work. I also try to live by a line made famous by champion boxer John L. Sullivan when some drunken twerp challenged him in a bar: “If you hit me,” said Sullivan, “and I hear about it….” On the Origin of the Deadliest Pandemic in 100 Years exposes undeclared competing interests, cover-ups by China’s officialdom, the manipulation of Canada’s National Microbiology Laboratory by China’s civilian/military virological establishment, and that labs outside the reach of US regulation have been doing dangerous gain-of-function experiments with USAID and NIH money given to them via a New York charity. The book follows the money and it names names. It shows that science done in authoritarian regimes cannot be trusted and why. So I expected pushback and I welcome it.

Nevertheless, I must respond to Ms. Rasmussen. She makes too many untruthful claims to ignore. While Ms. Rasmussen is entitled to dump on my book if she’s read it, her critique on the Canadaland podcast made it clear she hadn’t. Though I wrote to Jesse Brown, as did my publisher, asking him to attach my rebuttal of her false assertions to her podcast episode, Canadaland decided not to “re-litigate” the matter. Thus, this blog post.

I listened with amazement as Ms. Rasmussen began by accusing me of publishing a book that is “riddled with error starting with the title.” Why was the title in error? Ms. Rasmussen insisted that HIV/AIDS is the deadliest pandemic in 100 years, not SARS-CoV-2/COVID-19. While it is true that HIV/AIDS has killed about 35 million people over fifty years, Ms. Rasmussen must know that the WHO—which is the international body charged with declaring pandemics—did not declare HIV/AIDS to be one. Killing 35 million over fifty years is bad, but killing at minimum 6 million people around the world (while infecting hundreds of millions) in 18 months is the worst pandemic in 100 years.

Ms. Rasmussen then asserted that my publisher failed to fact check the book as evidenced by the title. In fact my publisher had four fact checkers go over it from the cover to the acknowledgements—400 pages with over 400 endnotes drawn mainly from scientific publications but also from interviews with virologists—starting with the title.

Ms. Rasmussen insisted that if only I’d bothered to interview virologists, I would have been set straight on a number of points, including the function of a genetic sequence conserved in all coronaviruses known as the RdRp ( which stands for the RNA dependent RNA polymerase). That’s when it became quite clear that she had not bothered to read the book but was responding to what she thought I said in the interview I’d given Jesse Brown. If she had read the book, she would have known how many virologists I tried to interview, and who among them finally agreed to speak with me. One who did consent to be interviewed, virologist Linfa Wang, is a close associate of Shi Zhengli, the so-called Bat Woman of China. It is Shi Zhengli’s lab that has become a focus for those arguing that a leak from a lab may have caused the pandemic. I interviewed others as well, but in particular a Canadian government virologist, Basil Arif, who, since 1998, has worked on the journal Shi edits, Virologica Sinicawhich is published by the Wuhan Institute of Virology. Arif has also done important papers with Zhihong Hu, the former director of the WIV and the former boss of Shi Zhengli. Arif has been going annually to the Wuhan Institute of Virology for more than twenty years, which cannot be said of Ms. Rasmussen who admits she doesn’t know Shi Zhengli, but knows “friends” of hers, and that she is “honest.” Unfortunately, as my book shows, that claim is also far from true.

When Brown asked Rasmussen why, if my book is riddled with errors, the well-known science writer and editor, Nicholas Wade, had praised it, she replied that Nicholas Wade should be ignored on the grounds that a book he wrote in 2014 defines him as a racist. (Racist is a word she hurls around fairly frequently, along with the epithet grifter.) Wade’s views on the subject of intelligence, the subject of his book, are beside the point. The article he wrote in the Bulletin of Atomic Scientistsdescribing, among other things, his concern about how leading scientists tried to label as conspiracy theorists all who raised the possibility that SARS-CoV-2 leaked from a lab—finally made it possible for leading major media in the US to publicly consider the question. Instead of speaking to Wade’s points, she used a vile name to try to write him off.

Similarly, she mis-characterized what I wrote about the unusual five year relationship between the National Microbiology Laboratory in Winnipeg and the leading military/civilian virologists in China, including George F. Gao and Major General Chen Wei of the Peoples’ Liberation Army.

She also insisted that I believe the genome sequence known as RaTG13 is the viral ancestor of SARS-CoV-2. In fact, the book makes clear that I believe RaTG13 is a red herring and a symptom of the many things we have not been told about work done in Shi Zhengli’s lab. While until recently RaTG13 was the closest published viral sequence to SARS-CoV-2, it is fairly distant and does not have the furin cleavage site which makes SARS-CoV-2 so efficient at causing infection. (We now know that Shi Zhengli, Linfa Wang, and American colleagues Ralph Baric and Peter Daszak sought $14 million from DARPA in 2018 to, among other things, insert furin cleavage sites into SARS-related coronaviruses isolated by Shi’s lab. They didn’t get that grant, but we don’t know if Shi Zhengli got grant money elsewhere and did the planned experiments herself.) My book makes clear that I like best a quite different origin theory proposed by plant virologists Jonathan Latham and Allison Wilson. They sought to explain why SARS-COV-2 appeared to be so well-adapted to human beings from the start of the pandemic. If it originated in a bat or jumped to humans through an intermediate animal, why were there so few mutations in the first few months of its circulation? This adaptation to humans from the start was pointed to by Alina Chan and colleagues who compared it to SARS’s rapid mutation in the first quarter of its circulation. Chan’s work was only published as a pre-print (and poohpoohed as such by Rasmussen) but many other scientists in peer-reviewed papers pointed to the same issue, including one paper published in the journal Cell and commented on by Rasmussen herself.

Latham and Wilson argue that SARS-COV-2 or its direct ancestor, became well-adapted to humans in the lungs of six miners back in 2012. They had been hired to clear bat feces out of a copper mine in Yunnan, China. They got terribly sick with a SARS-like pneumonia. Three died. Samples from their lungs, taken over the course of several months, were sent to Shi Zhengli at the Wuhan Institute of Virology because she was by then expert in SARS-like coronaviruses. Shi only admitted she had those samples after a Masters thesis and PhD thesis describing the miners’ illnesses, treatments, and where their samples were sent, were discovered by members of a group of curious volunteers called DRASTIC. Shi Zhengli has still not published anything about what she found in those samples but has confirmed that they remain in her lab. Latham and Wilson argue that studying those samples would have given Shi a ringside seat as a bat virus evolved in real time into something that could easily infect humans. When challenged by Jesse Brown on that point, Ms. Rasmussen said Latham and Wilson are plant virologists, so their argument holds no water. In fact, their argument had already been supported by a study done in the UK and published in a medical journal in February. Doctors there took a series of samples over several months from the lungs of a man infected with SARS-CoV-2. These samples were sequenced and showed in real time how the virus adapted through mutation to the different treatments tried.

Toward the end of the podcast, Brown asked Rasmussen if she knew why W. Ian Lipkin—one of the coauthors of an early paper published in Nature Medicine that claimed a lab leak to be highly unlikely—had changed his mind and wanted a proper investigation of that possibility. Over most of 2020, that Nature Medicine paper was pointed to again and again as the refutation of any who dared to say a lab leak might have been possible. That paper served the propaganda interests of China, but also the interests of the American institutions that had funded Shi Zhengli’s work—USAID, the NIH/NIAID—through EcoHealth Alliance, also a major funder of Lipkin’s work at Columbia’s Mailman School. Most of the papers’ coauthors, including Lipkin, failed to acknowledge any competing interests, such as their relationships with those funders and with China. Ms. Rasmussen told Brown that though she used to work for Lipkin (until 2020), she did not know why he’d changed his mind. Yet Lipkin had been widely quoted on that subject. He said information had emerged about very dangerous gain-of-function experiments done by Shi Zhengli and her colleagues in low security labs which was “unsafe.” Even if Ms. Rasmussen did not read those articles, if she’d read my book she would have known exactly why Lipkin changed his mind.

Ms. Rasmussen may be a terrific virologist but critiquing a book she did not read is a dubious scientific practice. She might want to reconsider as well her strong support of global cooperation among scientists without regard to the conditions under which some scientists work. In particular, she should rethink whether we can rely on science done by colleagues working in authoritarian regimes. Early in the pandemic, China’s officials made clear to its scientists that they must get official permission to publish anything on SARS-CoV-2, or else, and that getting that permission would depend upon whether an article fit the propaganda interests of the government of China. Scientists in the west need to take care to avoid being dragged into China’s propaganda machinery which is extensive. The Propaganda Department of China regards scientific publishing as part of its purview and reports directly to the highest leadership.

Ms. Rasmussen’s appearance on the Canadaland podcast was clearly useful to China. CGTN—the China Global Television Network—took note of it and published on its website an article that bears this false title: “Virologist refutes Dewar’s theories….”

Read the original post on Elaine Dewar’s blog here.

Elaine Dewar’s bio.

Get your copy of On the Origin of the Deadliest Pandemic in 100 Years here.

 

CHEMICAL VALLEY, CHARITY, HOUSEHOLDERS, AS YOU WERE, MUSIC LATE AND SOON, A GHOST IN THE THROAT, FIELD NOTES SERIES: Media Round-Up

IN THE NEWS!

CHEMICAL VALLEY

Chemical Valley coverDavid Huebert’s Chemical Valley (October 12, 2021) received an excellent review in the Miramichi Reader. The review was published online on October 25. You can read on their website here.

Reviewer Ian Colford wrote:

“Huebert’s prose shines, frequently catching the reader off guard with startling but memorable turns of phrase and delirious imaginative leaps. And while the manic energy, eccentric humour and wry observations on life and love keep us entertained, the book’s rich emotional core draws us in, touching us at the most profound level.”

David Huebert was also interviewed by the Dalhousie Gazette! The interview was published on October 14, and is available to read on their website here.

Interviewer Madison Scanlan wrote:

“Chemical Valley is full of stories that are beautiful, gross, depressing and uplifting all at once. Through the use of dazzling language and complex characters, this deeply thoughtful collection will truly get you thinking.”

Get your copy of Chemical Valley here!

Charity cover

CHARITY

Keath Fraser’s novella Charity (February 2, 2021) received a glowing review from the Ormsby Review. The review was published online on October 25. You can check it out on their website here.

Reviewer Theo Dombrowski wrote:

“[I]n Fraser’s hands, and through his words, the human experience becomes not the facts and flow of a particular story with particular characters, but rather something rich and strange, with echoes and parallels throughout time and across distances.”

Get your copy of Charity here!

 

AS YOU WERE

Elaine Feeney, author of As You Were (October 5, 2021) was interviewed by Book Marks! The rapid-fire book recs interview was published on October 25. You can take a look on their website here.

Get your copy of As You Were here!

 

HOUSEHOLDERS

Householders (September 14, 2021) by Kate Cayley was featured in a review from the Memphis Flyer! The review was published online on October 27, and is available to read on their website here.

Reviewer Jesse Davis wrote:

“Forgiveness is much sought after but rarely given freely, so Cayley writes with a passion that seems to extend that longed-for forgiveness to her characters when they cannot bring themselves to do it for themselves.”

Get your copy of Householders here!

 

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MUSIC, LATE AND SOON

Robyn Sarah’s Music, Late and Soon (August 24, 2021) was reviewed in Montreal Serai! The review was published online on October 24, and can be read on their website here.

Reviewer Dr. Kerry McElroy wrote:

“Deeply interdisciplinary and challenging, it bears intimate witness as the internationally acclaimed Montréal poet reckons with the parallel strands of music and writing interwoven through her creative and inner lives.”

Get your copy of Music, Late and Soon here!

 

A GHOST IN THE THROAT

A Ghost in the Throat (June 1, 2021) by Doireann Ní Ghríofa was listed as a Best Book of 2021 in Publisher’s Weekly! You can check out it and the rest of the list on their website here.

Doireann Ní Ghríofa was also interviewed on the Poetry Extension podcast! The interview was posted on October 19. You can listen to it on their website here.

Get your copy of A Ghost in the Throat here!

 

FIELD NOTES SERIES

The first three books in the Biblioasis Field Notes series—On Risk by Mark Kingwell, On Property by Rinaldo Walcott, and On Decline by Andrew Potter—were reviewed in an article from the Literary Review of Canada! The review was posted online on October, and will appear in the November issue. You can read it on their website here.

Reviewer John Allemang describes them as:

“[A] short sharp shock in the pamphleteering tradition.”

An excerpt from Andrew Potter’s On Decline (August 17, 2021) was featured in Lithub! The excerpt, “How Nostalgia Can Hide Dark Political Realities” was published online on October 21. You can read it on their website here.

Get your copy of On Decline here!

Get your copy of On Property here!

Get your copy of On Risk here!

 

AS YOU WERE, MUSIC LATE AND SOON, HOUSEHOLDERS, DANTE’S INDIANA, ON THE ORIGIN, THINGS ARE AGAINST US: Media Hits!

IN THE NEWS!

AS YOU WERE

Elaine Feeney, author of As You Were (October 5, 2021), was interviewed on an episode of the podcast Across the Pond! Elaine was interviewed by the two hosts, Lori Feathers and Sam Jordison. The episode aired on October 5. You can listen to it here.

Elaine Feeney wrote a feature article for Lit Hub! The piece “Writing Through Trauma, Past and Present: On the Legacies of Catholic Ireland” was published on Wednesday, October 20. You can read it here.

As You Were was listed by Book Marks as a small press favourite! The three judges of the North American Republic of Consciousness Prize put together a list of seven recent favourite indie titles in 2021. The list was published on October 20. You can check it out here.

Lori Feathers praised:

“A not-to-be-missed debut novel—smart, witty, and very engaging … Two things set this extraordinary novel apart: the amazing writing—lyrical, natural, often very funny, and always affecting; and Sinéad, a woman with whom Feeney captures the pain of self-reflection and the stubborn resilience of hope.”

As You Were was also listed by All Lit Up as a weekly recommended All Queued Up title! The list was published on October 20. Check it out here.

All Queued Up offers keywords to engage readers in the book, similar to how Netflix does for shows. For As You Were, they praised:

“Dark comedy. Riveting. Award-winner.”

Order your copy of As You Were here!Things Are Against Us

 

THINGS ARE AGAINST US

An excerpt from Lucy Ellmann’s Things Are Against Us (September 28, 2021), was published in The Walrus! The excerpt “Kill the Travel Bug: The Case for Staying Put” was published on October 4. You can read it out on their website here.

Order your copy of Things Are Against Us here!

 

coverMUSIC, LATE AND SOON

Music, Late and Soon (August 24, 2021) by Robyn Sarah was announced as a finalist for The Mavis Gallant Prize for Non-Fiction, presented by the Quebec Writers’ Foundation! The winner will be announced during a live-streamed gala event on November 24 at 7PM.

An interview with Sarah was also recently published in the Montreal Gazette. Ian McGillis writes,

“So let’s be clear: you don’t need to be a musician, nor do you need to have aspired to be a musician, to appreciate Music, Late and Soon. Anyone who has ever felt a vocation for something, pursued it, misplaced it, then tried to summon it again is apt to identify with Sarah’s story.”

The piece was published online on October 8. Read the full interview here.

Order your copy of Music, Late and Soon here!

 

HOUSEHOLDERSHouseholders cover

Kate Cayley’s Householders (September 14, 2021) received a starred review in Quill & Quire! The review was published on October 6, and it will appear in the November 2021 print issue. You can read the review on the website here.

Reviewer Steven W. Beattie wrote,

“A book that so assiduously interrogates notions of identity and belonging … Cayley’s language is precise and evocative … Each of the collection’s stories—from ‘Pilgrims,’ about a woman who impersonates a nun online to find sympathy for her difficult domestic situation, to the stunning opener, ‘The Crooked Man’—contains writing that impresses with its barbed acidity as much as its clear-eyed observation … The lambent prose frequently belies the emotional heft of the stories, which creep up on a reader.”

Householders was listed by 49th Shelf as an Editors’ Pick! The list was posted on October 4. You can check it out here.

49th Shelf also published a great review of Householders in their list “8 Books That Explore Memory and Space”! The list was published on October 4. You can read it here.

Reviewer Fawn Parker wrote,

“The stories in Householders are haunting and enigmatic, with a clarity of emotion that cuts through the dreamlike atmosphere Cayley has crafted … With incredible attention to the nuance of interpersonal relationships—whether familial, romantic, situational, dysfunctional—each story in Householders is a window into an eerie but wonderful world.”

Order your copy of Householders here!

 

ON THE ORIGIN OF THE DEADLIEST PANDEMIC IN 100 YEARS

Elaine Dewar, author of On the Origin of the Deadliest Pandemic in 100 Years: An Investigation (August 31, 2021) was featured in an article published in the National Post by Jesse Snyder titled, ‘Exit of top public health agency official leaves questions on Chinese military involvement with high-security disease lab.’ The article was published online on October 18. You can read it here.

An interview with Elaine Dewar for the Ottawa Writers’ Festival was also published online on October 15. You can listen to Elaine’s interview with Neil Wilson here.

Order your copy of On the Origin here!

 

DANTE’S INDIANA

Randy Boyagoda’s Dante’s Indiana (September 7, 2021) received an excellent review in the Wall Street Journal! The review was published on Friday, October 8. You can read it on their website here.

Reviewer Sam Sacks praised:

“[Dante’s Indiana] mixes the outrageous social satire of George Saunders or Salman Rushdie with Prin’s more solemn and inward religious searching. The unique result juxtaposes the ridiculous and the sublime—fitting as both an homage to Dante and a portrayal of America.”

Dante’s Indiana also received a positive review in ZYZZYVA! The review was published on Monday, October 18. You can read it on their website here.

Reviewer Shelby Hinte wrote:

“Boyagoda shows how the political is always personal and the personal is always spiritual. The last ninety pages of the novel move at break-neck speed … The effect is a bit dizzying, but maybe that’s the point—in an age where the internet connects us across oceans and time zones, no one exists in isolation and every occurrence is connected.”

Order your copy of Dante’s Indiana here!