BEST CANADIAN 2021 SERIES Virtual Launch Video

“The legacy of this series is massive … a literary institution.” —Ottawa Citizen

Last night we celebrated the virtual launch of the 2021 Best Canadian Series! The event kicked off with a discussion and Q&A between publisher Dan Wells and editors Bruce Whiteman, Diane Schoemperlen, and Souvankham Thammavongsa. This was followed by selected readings by contributors from each anthology: Eva-Lynn Jagoe from Essays, David Romanda from Poetry, and Metcalf-Rooke Award-winner Colette Maitland from Stories. The night finished off with a series giveaway.

And even if you missed the live event, you can still watch here!

ABOUT BRUCE WHITEMAN

Bruce Whiteman is a poet, translator, culture historian, and book reviewer. His reviews appear regularly in Canadian Notes & Queries, The Hudson Review, and elsewhere. Recent poetry collections include Intimate Letters (2014), Tablature (2015), and The Sad Mechanic Exercise (2019). His translation of Fanny Daubigny’s study Proust in Black: Los Angeles: A Proustian Fiction was published in 2019.

ABOUT DIANE SCHOEMPERLEN

Born and raised in Thunder Bay, Ontario, Diane Schoemperlen has published several collections of short fiction and three novels, In the Language of Love (1994), Our Lady of the Lost and Found (2001), and At A Loss For Words (2008). Her 1990 collection, The Man of My Dreams, was shortlisted for both the Governor General’s Award and the Trillium. Her collection, Forms of Devotion: Stories and Pictures won the 1998 Governor General’s Award for English Fiction. In 2008, she received the Marian Engel Award from the Writers’ Trust of Canada. In 2012, she was Writer-in-Residence at Queen’s University. She lives in Kingston, Ontario.

ABOUT SOUVANKHAM THAMMAVONGSA

Souvankham Thammavongsa is the author of five books: Small Arguments (2003), winner of the ReLit Prize; Found (2007), now a short film; Light (2013), winner of the Trillium Book Award for Poetry; Cluster (2019); and the short story collection How to Pronounce Knife (2020), winner of the Scotiabank Giller Prize and a New York Times Editors’ Choice. She has been in residence at Yaddo and has presented her work at the Guggenheim Museum in New York.

 

Order your copy of Best Canadian Poetry here!

Order your copy of Best Canadian Stories here!

Order your copy of Best Canadian Essays here!

Get the Best Canadian 2021 Bundle here!

ROMANTIC Virtual Launch Video

Last night we celebrated the virtual launch of Mark Callanan’s new poetry collection, Romantic (October 12, 2021)! Mark Callanan had a wonderful discussion with fellow poet Luke Hathaway, who showed up dressed in shining armor for the event! The reading was followed by an audience Q&A, and a successful book giveaway!

And if you missed the live launch, you can still check it out below!

 

ABOUT ROMANTIC

Drawing on Arthurian myth, the Romantic poets, the ill-fated “Great War” efforts of the Newfoundland Regiment, modern parenthood, 16-bit video games, and Major League Baseball, these poems examine the stories we tell ourselves about ourselves, both as individuals and as communities, in order to explain how and why we are the way we are. At its heart, Romantic interrogates our western society’s idealized, self-deluding personal and cultural perspectives.

ABOUT MARK CALLANAN

Mark Callanan is the author of two previous poetry collections. He was one of the founding editors of the St. John’s, Newfoundland-based literary journal Riddle Fence and co-edited The Breakwater Book of Contemporary Newfoundland Poetry. He lives in St. John’s with his wife, poet and critic Andreae Callanan, and their four children.

 

Get your copy of Romantic from Biblioasis here!

Bookselling & Political Action: Event Video

Last night we held a fascinating discussion between booksellers and writers, Danny Caine (How To Resist Amazon and Why) and Josh Cook (The Least We Can Do)! The event was coordinated with The Raven Bookstore. Afterward, there was an audience Q&A and a chance to win copies of both books!

If you didn’t catch the event live, no worries! You can still watch it below:

ABOUT THE LEAST WE CAN DO

In celebration of Independent Bookstore Day 2021, we’re proud to present Josh Cook’s The Least We Can Do!

Like most of our cultural institutions, bookshops and the booksellers who run them have worked hard the last few years to respond to political and social issues in our society. They’ve formed committees and hosted panels, held training sessions and had difficult conversations in both their private and professional lives. Yet books by White supremacists, fascists, misogynists, and other dangerous ideologues are bought and sold in independent bookshops across North America every day. What are the economic, social, and moral consequences of stocking and selling these titles? In The Least We Can Do, Josh Cook, bookseller at Porter Square Books in Cambridge, Massachusetts, takes up these questions and more, embarking on an urgent and insightful reckoning with critical issues around freedom of expression, public discourse, industry ethics, and moral culpability.

The first in a new series of pamphlets to be published by booksellers, for booksellers and those invested in bookstores and book culture, The Least We Can Do is a call to action and the beginning of an essential conversation.

ABOUT JOSH COOK

Josh Cook is a bookseller at Porter Square Books in Cambridge, Massachusetts, where he has worked since 2004. He is also author of the critically acclaimed postmodern detective novel An Exaggerated Murder and his fiction, criticism, and poetry have appeared in numerous leading literary publications. He grew up in Lewiston, Maine and lives in Somerville, Massachusetts.

ABOUT HOW TO RESIST AMAZON AND WHY

When a company’s workers are literally dying on the job, when their business model relies on preying on local businesses and even their own companies, when their CEO is literally the richest person in the world while their workers make minimum wage with impossible quotas … wouldn’t you want to resist? Danny Caine, owner of Raven Book Store in Lawrence, Kansas compiled this zine about his commitment to fighting the seemingly impossible giant in the bookselling world: Amazon. This zine includes the open letter he wrote to Jeff Bezos, examples of successful social media activism that produced waves of successful economic solidarity for local bookstores, links to other resources, and some sobering words about boycotting. Let this zine inspire you to support independents and stand up to the biggest threats facing our society!

ABOUT DANNY CAINE

Danny Caine is the author of the poetry collections Continental Breakfast, El Dorado Freddy’s, and Flavortown, as well as the book How to Resist Amazon and Why. His poetry has appeared in LitHub, DIAGRAM, Hobart, and Barrelhouse, and his prose has appeared in LitHub and Publishers Weekly. The Midwest Independent Booksellers Association awarded him the 2019 Midwest Bookseller of the Year award. He lives in Lawrence, Kansas where he owns Raven Book Store.

 

Order The Least We Can Do from Biblioasis here!

Order How to Resist Amazon and Why from The Raven Bookstore here!

Spotlight On: ALL SAINTS by K.D. MILLER

Welcome to Biblioasis’ Spotlight series, a new monthly feature highlighting our brilliant backlist titles! This also includes a brief word from the authors themselves on their past work, an update on what they’re up to now, or thoughts on future projects. Our featured title for November is the short story collection All Saints (April 15, 2014) by K.D. Miller.

 

ALL SAINTS

Shortlisted for the 2014 Rogers Writers’ Trust Fiction Prize
Longlisted for the 2014 Frank O’Connor Award

In a linked collection that presents the secret small tragedies of an Anglican congregation struggling to survive, All Saints (April 15, 2014) delves into the life of Simon, the Reverend, and the lives of his parishioners: Miss Alice Vipond, a refined and elderly schoolteacher, incarcerated for a horrendous crime; a woman driven to extreme anxiety by an affair she cannot end; a receptionist, and her act of improbable generosity; a writer making peace with her divorce. Effortlessly written and candidly observed, All Saints is a moving collection of tremendous skill, whose intersecting stories illuminate the tenacity and vulnerability of modern-day believers.

K.D. Miller is the author of two previous short story collections, Give me Your Answer and Litany on a Time of Plague, and an essay collection, Holy Writ. Her work has twice been collected in The Journey Prize Anthology and Best Canadian Stories, and she has been nominated for a National Magazine Award for Fiction. She lives and writes in Toronto.

 

A WORD FROM THE AUTHOR

On Alice Drive by K.D. Miller

Out my study window, I can just catch sight of a little street called Edith Drive. I frequently incorporate Edith Drive into my daily walk. I have tried, and failed, to find out who Edith was and why these two short blocks are named after her. And several years ago, I spent a good part of New Year’s Eve watching half of one of Edith Drive’s semi-detached houses burn. The adjoining house came out of it unscathed and still habitable, while the one that caught fire was a blackened shell for two years or more.

I can’t remember exactly when Edith became Alice in my imagination, or Alice Drive the working title of what I hope will be my next collection of stories. But the neighbourhood is growing as more and more characters move in.

I have published four collections of linked short stories. In each case, I have come to regard the characters as imaginary friends—a community I work with and get to know and miss, once the manuscript is in my publisher’s hands. Any writer will tell you that a fictional character has a life of their own, and exercises more than a bit of control over what happens to them.

Whenever I’m working on a collection, there comes a moment when someone playing a minor role in one story convinces me that they deserve to star in a narrative all their own. In All Saints, for example, Gail, a church receptionist who is briefly mentioned in “Still Dark,” takes centre stage in “Spare Change,” demonstrating that there is more to her than typing, filing and picking up an office phone.

Characters don’t just migrate from story to story, either, but from book to book. I was pleased to welcome Kelly into two of the stories in All Saints, twenty years after she made her debut in my first collection, A Litany in Time of Plague. It was fun to find out what she had been up to, and what was going to happen next. Right now, as I’m working on the title story of Alice Drive, I’m getting reacquainted with Pete Aspinall. Pete had a brief mention in All Saints’ “October Song,” then a major supporting role in the same collection’s “Heroes.” A lot has happened in seven years. He retired from teaching, moved into a house on Alice Drive, met René, the love of his life, and is now mourning René’s untimely death. Add to that the fact that his house seems to be haunted …

But I’ll let Pete tell you his own story. Once he’s finished telling it to me.

 

Get your copy of All Saints from Biblioasis here!

And why not check out K.D. Miller’s other fantastic titles here?

 

THE SINGING FOREST Virtual Launch Video

Last night we celebrated the launch of Judith McCormack’s The Singing Forest (September 21 2021)! Judith was joined by criminal lawyer Frank Addario, and author and Judge Maryka Omatsu, for a fascinating discussion and engaging audience Q&A. Afterward, there was a giveaway for the book.

And if you weren’t able to make the live event, you can still watch it below!

ABOUT THE SINGING FOREST

In a quiet forest in Belarus, two boys make a gruesome find that reveals a long-kept secret: the mass grave where Stalin’s police buried thousands of murder victims in the 1930s. The results of the subsequent investigation—30,000 dead—has far-reaching effects, and across the Atlantic in Toronto, young lawyer Leah Jarvis finds herself tasked with an impossible case: the trial of elderly Stefan Drozd, a former member of Stalin’s forces, who fled his crimes in Kurapaty for a new identity in Canada. Though Leah is convinced of Drozd’s guilt, she needs hard facts. Determined to bring him to justice, she travels to Belarus in search of witnesses—and finds herself piecing together another set of evidence: her mother’s death, her father’s absence, the shadows of her Jewish heritage. Lyrical and wrenching by turns, The Singing Forest is a profound investigation of memory, truth, and the stories that tell us who we are.

ABOUT JUDITH MCCORMACK

Judith McCormack was born in Evanston, and grew up in Toronto, with several years in Montreal and Vancouver. She is Jewish through her mother, and her maternal grandparents came from Belarus and Lithuania, with her father contributing his Scots-Irish heritage. Her writing has been shortlisted for the Writers’ Trust Fiction Prize, the Commonwealth Writers’ Fiction Prize, the Journey Prize and the Amazon First Novel Award, and her short stories have appeared in the Harvard Review, Descant, The Fiddlehead, Coming Attractions and Best Canadian Stories. She also has several law degrees, which first introduced her to story-telling, and is a recipient of the Law Society Medal and The Guthrie Award for access to justice.

Order from Biblioasis here!

 

Elaine Dewar: Who’s Afraid of Angela Rasmussen?

The following is a response from Elaine Dewar to Dr. Angela Rasmussen, regarding her recent appearances on Canadaland and The John Gormley Show.

Once upon a time, scientists explained their findings and opinions in peer-reviewed journals or in carefully worded lectures delivered at scientific meetings. Now science moves at internet speed and Twitter has taken the place of learned societies as a favored forum. In the white hot propaganda war over the origin of SARS-CoV-2, scientists on opposing sides of the lab-leak versus nature debate have taken to Twitter like penguins in search of lunch in Antarctica’s waters. On Twitter, they heave nasty adjectives at their opponents with all the subtlety and care of the late Rush Limbaugh. Recently, a virologist named Angela Rasmussen (who claims over 200,000 Twitter followers), formerly of Columbia University’s Mailman School of Public Health, and now with the University of Saskatchewan’s Vaccine and Infectious Disease Organization, threw certain adjectives at me. I had been a guest on a Canadaland podcast explaining the findings of my new book, On the Origin of the Deadliest Pandemic in 100 Years, to Jesse Brown. Ms. Rasmussen, who, since the pandemic began, has turned into a one-woman defender of globalized virological science on as many TV shows, newscasts, magazines, newspapers willing to quote her (see her cv) got herself invited to the Canadaland podcast to denounce my book and her version of the main theory it propounds.

I don’t normally fuss over critiques of my published work. Journalists who throw stones are used to stones being thrown back and a good critique improves the work. I also try to live by a line made famous by champion boxer John L. Sullivan when some drunken twerp challenged him in a bar: “If you hit me,” said Sullivan, “and I hear about it….” On the Origin of the Deadliest Pandemic in 100 Years exposes undeclared competing interests, cover-ups by China’s officialdom, the manipulation of Canada’s National Microbiology Laboratory by China’s civilian/military virological establishment, and that labs outside the reach of US regulation have been doing dangerous gain-of-function experiments with USAID and NIH money given to them via a New York charity. The book follows the money and it names names. It shows that science done in authoritarian regimes cannot be trusted and why. So I expected pushback and I welcome it.

Nevertheless, I must respond to Ms. Rasmussen. She makes too many untruthful claims to ignore. While Ms. Rasmussen is entitled to dump on my book if she’s read it, her critique on the Canadaland podcast made it clear she hadn’t. Though I wrote to Jesse Brown, as did my publisher, asking him to attach my rebuttal of her false assertions to her podcast episode, Canadaland decided not to “re-litigate” the matter. Thus, this blog post.

I listened with amazement as Ms. Rasmussen began by accusing me of publishing a book that is “riddled with error starting with the title.” Why was the title in error? Ms. Rasmussen insisted that HIV/AIDS is the deadliest pandemic in 100 years, not SARS-CoV-2/COVID-19. While it is true that HIV/AIDS has killed about 35 million people over fifty years, Ms. Rasmussen must know that the WHO—which is the international body charged with declaring pandemics—did not declare HIV/AIDS to be one. Killing 35 million over fifty years is bad, but killing at minimum 6 million people around the world (while infecting hundreds of millions) in 18 months is the worst pandemic in 100 years.

Ms. Rasmussen then asserted that my publisher failed to fact check the book as evidenced by the title. In fact my publisher had four fact checkers go over it from the cover to the acknowledgements—400 pages with over 400 endnotes drawn mainly from scientific publications but also from interviews with virologists—starting with the title.

Ms. Rasmussen insisted that if only I’d bothered to interview virologists, I would have been set straight on a number of points, including the function of a genetic sequence conserved in all coronaviruses known as the RdRp ( which stands for the RNA dependent RNA polymerase). That’s when it became quite clear that she had not bothered to read the book but was responding to what she thought I said in the interview I’d given Jesse Brown. If she had read the book, she would have known how many virologists I tried to interview, and who among them finally agreed to speak with me. One who did consent to be interviewed, virologist Linfa Wang, is a close associate of Shi Zhengli, the so-called Bat Woman of China. It is Shi Zhengli’s lab that has become a focus for those arguing that a leak from a lab may have caused the pandemic. I interviewed others as well, but in particular a Canadian government virologist, Basil Arif, who, since 1998, has worked on the journal Shi edits, Virologica Sinicawhich is published by the Wuhan Institute of Virology. Arif has also done important papers with Zhihong Hu, the former director of the WIV and the former boss of Shi Zhengli. Arif has been going annually to the Wuhan Institute of Virology for more than twenty years, which cannot be said of Ms. Rasmussen who admits she doesn’t know Shi Zhengli, but knows “friends” of hers, and that she is “honest.” Unfortunately, as my book shows, that claim is also far from true.

When Brown asked Rasmussen why, if my book is riddled with errors, the well-known science writer and editor, Nicholas Wade, had praised it, she replied that Nicholas Wade should be ignored on the grounds that a book he wrote in 2014 defines him as a racist. (Racist is a word she hurls around fairly frequently, along with the epithet grifter.) Wade’s views on the subject of intelligence, the subject of his book, are beside the point. The article he wrote in the Bulletin of Atomic Scientistsdescribing, among other things, his concern about how leading scientists tried to label as conspiracy theorists all who raised the possibility that SARS-CoV-2 leaked from a lab—finally made it possible for leading major media in the US to publicly consider the question. Instead of speaking to Wade’s points, she used a vile name to try to write him off.

Similarly, she mis-characterized what I wrote about the unusual five year relationship between the National Microbiology Laboratory in Winnipeg and the leading military/civilian virologists in China, including George F. Gao and Major General Chen Wei of the Peoples’ Liberation Army.

She also insisted that I believe the genome sequence known as RaTG13 is the viral ancestor of SARS-CoV-2. In fact, the book makes clear that I believe RaTG13 is a red herring and a symptom of the many things we have not been told about work done in Shi Zhengli’s lab. While until recently RaTG13 was the closest published viral sequence to SARS-CoV-2, it is fairly distant and does not have the furin cleavage site which makes SARS-CoV-2 so efficient at causing infection. (We now know that Shi Zhengli, Linfa Wang, and American colleagues Ralph Baric and Peter Daszak sought $14 million from DARPA in 2018 to, among other things, insert furin cleavage sites into SARS-related coronaviruses isolated by Shi’s lab. They didn’t get that grant, but we don’t know if Shi Zhengli got grant money elsewhere and did the planned experiments herself.) My book makes clear that I like best a quite different origin theory proposed by plant virologists Jonathan Latham and Allison Wilson. They sought to explain why SARS-COV-2 appeared to be so well-adapted to human beings from the start of the pandemic. If it originated in a bat or jumped to humans through an intermediate animal, why were there so few mutations in the first few months of its circulation? This adaptation to humans from the start was pointed to by Alina Chan and colleagues who compared it to SARS’s rapid mutation in the first quarter of its circulation. Chan’s work was only published as a pre-print (and poohpoohed as such by Rasmussen) but many other scientists in peer-reviewed papers pointed to the same issue, including one paper published in the journal Cell and commented on by Rasmussen herself.

Latham and Wilson argue that SARS-COV-2 or its direct ancestor, became well-adapted to humans in the lungs of six miners back in 2012. They had been hired to clear bat feces out of a copper mine in Yunnan, China. They got terribly sick with a SARS-like pneumonia. Three died. Samples from their lungs, taken over the course of several months, were sent to Shi Zhengli at the Wuhan Institute of Virology because she was by then expert in SARS-like coronaviruses. Shi only admitted she had those samples after a Masters thesis and PhD thesis describing the miners’ illnesses, treatments, and where their samples were sent, were discovered by members of a group of curious volunteers called DRASTIC. Shi Zhengli has still not published anything about what she found in those samples but has confirmed that they remain in her lab. Latham and Wilson argue that studying those samples would have given Shi a ringside seat as a bat virus evolved in real time into something that could easily infect humans. When challenged by Jesse Brown on that point, Ms. Rasmussen said Latham and Wilson are plant virologists, so their argument holds no water. In fact, their argument had already been supported by a study done in the UK and published in a medical journal in February. Doctors there took a series of samples over several months from the lungs of a man infected with SARS-CoV-2. These samples were sequenced and showed in real time how the virus adapted through mutation to the different treatments tried.

Toward the end of the podcast, Brown asked Rasmussen if she knew why W. Ian Lipkin—one of the coauthors of an early paper published in Nature Medicine that claimed a lab leak to be highly unlikely—had changed his mind and wanted a proper investigation of that possibility. Over most of 2020, that Nature Medicine paper was pointed to again and again as the refutation of any who dared to say a lab leak might have been possible. That paper served the propaganda interests of China, but also the interests of the American institutions that had funded Shi Zhengli’s work—USAID, the NIH/NIAID—through EcoHealth Alliance, also a major funder of Lipkin’s work at Columbia’s Mailman School. Most of the papers’ coauthors, including Lipkin, failed to acknowledge any competing interests, such as their relationships with those funders and with China. Ms. Rasmussen told Brown that though she used to work for Lipkin (until 2020), she did not know why he’d changed his mind. Yet Lipkin had been widely quoted on that subject. He said information had emerged about very dangerous gain-of-function experiments done by Shi Zhengli and her colleagues in low security labs which was “unsafe.” Even if Ms. Rasmussen did not read those articles, if she’d read my book she would have known exactly why Lipkin changed his mind.

Ms. Rasmussen may be a terrific virologist but critiquing a book she did not read is a dubious scientific practice. She might want to reconsider as well her strong support of global cooperation among scientists without regard to the conditions under which some scientists work. In particular, she should rethink whether we can rely on science done by colleagues working in authoritarian regimes. Early in the pandemic, China’s officials made clear to its scientists that they must get official permission to publish anything on SARS-CoV-2, or else, and that getting that permission would depend upon whether an article fit the propaganda interests of the government of China. Scientists in the west need to take care to avoid being dragged into China’s propaganda machinery which is extensive. The Propaganda Department of China regards scientific publishing as part of its purview and reports directly to the highest leadership.

Ms. Rasmussen’s appearance on the Canadaland podcast was clearly useful to China. CGTN—the China Global Television Network—took note of it and published on its website an article that bears this false title: “Virologist refutes Dewar’s theories….”

Read the original post on Elaine Dewar’s blog here.

Elaine Dewar’s bio.

Get your copy of On the Origin of the Deadliest Pandemic in 100 Years here.

 

CHEMICAL VALLEY, CHARITY, HOUSEHOLDERS, AS YOU WERE, MUSIC LATE AND SOON, A GHOST IN THE THROAT, FIELD NOTES SERIES: Media Round-Up

IN THE NEWS!

CHEMICAL VALLEY

Chemical Valley coverDavid Huebert’s Chemical Valley (October 12, 2021) received an excellent review in the Miramichi Reader. The review was published online on October 25. You can read on their website here.

Reviewer Ian Colford wrote:

“Huebert’s prose shines, frequently catching the reader off guard with startling but memorable turns of phrase and delirious imaginative leaps. And while the manic energy, eccentric humour and wry observations on life and love keep us entertained, the book’s rich emotional core draws us in, touching us at the most profound level.”

David Huebert was also interviewed by the Dalhousie Gazette! The interview was published on October 14, and is available to read on their website here.

Interviewer Madison Scanlan wrote:

“Chemical Valley is full of stories that are beautiful, gross, depressing and uplifting all at once. Through the use of dazzling language and complex characters, this deeply thoughtful collection will truly get you thinking.”

Get your copy of Chemical Valley here!

Charity cover

CHARITY

Keath Fraser’s novella Charity (February 2, 2021) received a glowing review from the Ormsby Review. The review was published online on October 25. You can check it out on their website here.

Reviewer Theo Dombrowski wrote:

“[I]n Fraser’s hands, and through his words, the human experience becomes not the facts and flow of a particular story with particular characters, but rather something rich and strange, with echoes and parallels throughout time and across distances.”

Get your copy of Charity here!

 

AS YOU WERE

Elaine Feeney, author of As You Were (October 5, 2021) was interviewed by Book Marks! The rapid-fire book recs interview was published on October 25. You can take a look on their website here.

Get your copy of As You Were here!

 

HOUSEHOLDERS

Householders (September 14, 2021) by Kate Cayley was featured in a review from the Memphis Flyer! The review was published online on October 27, and is available to read on their website here.

Reviewer Jesse Davis wrote:

“Forgiveness is much sought after but rarely given freely, so Cayley writes with a passion that seems to extend that longed-for forgiveness to her characters when they cannot bring themselves to do it for themselves.”

Get your copy of Householders here!

 

cover

MUSIC, LATE AND SOON

Robyn Sarah’s Music, Late and Soon (August 24, 2021) was reviewed in Montreal Serai! The review was published online on October 24, and can be read on their website here.

Reviewer Dr. Kerry McElroy wrote:

“Deeply interdisciplinary and challenging, it bears intimate witness as the internationally acclaimed Montréal poet reckons with the parallel strands of music and writing interwoven through her creative and inner lives.”

Get your copy of Music, Late and Soon here!

 

A GHOST IN THE THROAT

A Ghost in the Throat (June 1, 2021) by Doireann Ní Ghríofa was listed as a Best Book of 2021 in Publisher’s Weekly! You can check out it and the rest of the list on their website here.

Doireann Ní Ghríofa was also interviewed on the Poetry Extension podcast! The interview was posted on October 19. You can listen to it on their website here.

Get your copy of A Ghost in the Throat here!

 

FIELD NOTES SERIES

The first three books in the Biblioasis Field Notes series—On Risk by Mark Kingwell, On Property by Rinaldo Walcott, and On Decline by Andrew Potter—were reviewed in an article from the Literary Review of Canada! The review was posted online on October, and will appear in the November issue. You can read it on their website here.

Reviewer John Allemang describes them as:

“[A] short sharp shock in the pamphleteering tradition.”

An excerpt from Andrew Potter’s On Decline (August 17, 2021) was featured in Lithub! The excerpt, “How Nostalgia Can Hide Dark Political Realities” was published online on October 21. You can read it on their website here.

Get your copy of On Decline here!

Get your copy of On Property here!

Get your copy of On Risk here!